Categories
books history japan

#FenCon: A few places to get started on modern Japanese history/culture

Once again I want to apologize to everyone who attended the Tao and Again panel at FenCon. I had no idea I was going to be moderator and thus was woefully unprepared. (And it didn’t help there were only two of us on the panel, so I didn’t even have a big group of other panelists to cower behind!) As promised, here are some recommendations of places to get started on research for modern Japanese history/culture. This list is in no way definitive or exhaustive, particularly considering “modern Japan” is a giant subject in and of itself, but hopefully it’ll help bring up questions and ideas that will lead to both research and stories!

If I think of anything else, I’ll be sure to add it to the list! (And please, drop any recommendations you might have in the comments.) For the most part I tried to grab books that are fairly easy to find in libraries or bookstores.

Factual
Shinohata – Ronald P Dore
Embracing Defeat: Japan in the Wake of World War II – John Dower
A Modern History of Japan (second edition) – Andrew Gordon
The Prison Memoirs of a Japanese Woman – Kaneko Fumiko [Memoir]
Gendering Modern Japanese History – Barbara Molony (ed)
Office Ladies and Salaried Men – Ogasawara Yuko
A Man With No Talents – Oyama Shiro [This is a memoir]
The Weak Body of a Useless Woman: Matsuo Tasuko and the Meiji Restoration – Anne Walthall
Patriots and Redeemers in Japan: Motives in the Meiji Restoration – George M. Wilson

Fiction
Rashomon and Other Stories – Akutagawa Ryunosuke
Black Rain – Ibuse Masuji
The Scarlet Gang of Asakusa – Kawabata Yasunari
Barefoot Gen – Nakazawa Keiji
Kokoro – Souseki Natsume
I Am a Cat – Souseki Natsume

Categories
geology history trip report

Welcome to Silent Hill, PA

It’s May 3, 2012. Ten hours to go until the US premiere of Avengers and I’m in central Pennsylvania with a group of friends specifically to see that movie. How to pass the time?

Well, the native of Pennsylvania (my dear friend Rynn) mentions that we’re maybe an hour away from Centralia.

If you’re not a fan of horror videogames or somewhat obscure but recent east coast history, Centralia probably doesn’t ring any bells. It’s the town that was devastated by an underground coal fire. It’s a haunting place where white smoke stinking of sulfur billows from the ground itself and the roads collapse as the fire continues to eat its way through the coal veins. Trees in the area are bleached and blasted by the fumes.

Centralia was the inspiration for the fictional town of Silent Hill, which spawned a successful franchise of survival horror videogames as well as a somewhat less impressive movie. In the original game (Silent Hill) and the movie, it was clear that the billowing white fog engulfing the town was actually smoke and ash from the underground fires. In later games, the fog was left to be more traditional water vapor and the mining town history fell by the wayside.

Needless to say, as a fan of the games, I leap at the chance to see Centralia.

If you’re expecting someplace as haunting and creepy as the video game setting, I can’t guarantee that Centralia will deliver. On the day we go, the fires aren’t burning with particular ferocity – the air is almost entirely clear. It’s sunny and more than a little muggy, the surrounding hills bursting with plant life in a way I’m still not used to as a resident of Colorado. But the trip is perhaps more interesting because it’s nothing like what I expect.

There are two halves to a look at Centralia. There’s the town itself – or what’s left of it – and a closed-off portion of road that used to be part of Route 61.

The actual Route 61 now circumvents this section, swinging wide between two hills to avoid the slowly extending fire damage that undermines the landscape. But if you follow the road north out of Ashland, you’ll come to a cemetery at the top of a hill before you hit the next town. Park nearby and the old section of Route 61 isn’t hard to find.

It’s utterly deserted, but you can still hear the sounds of traffic from the nearby reroute. The road itself is covered with graffiti. Apparently when you’re a teenager in rural central Pennsylvania, this is what you do for a good time on a Friday night. Most of the graffiti is penis-based, or names and dates from visitors. There are a disturbing number of swastikas that have been drawn on the asphalt. And here and there are nerd shout-outs to the other reason people come here, the one that doesn’t involve drinking and drawing cartoonish genitalia – Welcome to Silent Hill, PA and There was a hole here. Now it’s gone. The road surface buckles, wavers, and cracks, broken-up graffiti showing that the surface destruction is recent and continuing as the subterranean fires march ever onward.

I think in the future, I’m going to have a hard time seeing how clean the roads look in post-apocalyptic future visions. Because if there is even one remaining teenager in the world, and one remaining can of spray paint, it seems almost inevitable that things will end up covered in dicks.

Getting into the remains of the town itself requires backtracking and going around the side of the hill. Rynn’s GPS unit still shows the ghost of streets that no longer exist. At the base of the hill, a few houses still stand, and are obviously occupied. The rest are empty lots surrounded by low stone walls, showing where houses once existed.

Further up the hill, the destruction of Centralia is total, and largely man-made. If the streets were ever paved, they aren’t any more. It’s dirt and gray gravel now, slices of thinly-laminated black shale showing through where runoff has carried away the surface soil. The black shale crawls with tiny, bright pink mites that look like they should belong to a 1980s Atari game.

There were obviously once houses up and down this hill, but nothing remains, just flattened lots that have plainly been bulldozed.

Broken up bricks and concrete are still visible, the remains of walls and foundations that haven’t been completely removed. The ground is littered with broken glass and shotgun shells; I guess since unpaved tracks don’t provide the same graffiti opportunities, this part of the disaster is used as a shooting range. Strange little bits of civilization still peep out of the surrounding trees, like this wooden utility pole.

This is where it finally begins to feel eerie, seeing these ghostly remains of what was once a town. There are a lot of reasons for the government to have seen to the destruction of the unoccupied houses. With toxic fumes rising from the ground, allowing abandoned buildings to stand and invite squatters is a potentially lethal proposition. They’d be fire hazards. And it’s a way to discourage gawkers like myself from picking over the bones of Centralia.

But all the same, it’s disquieting to see there was once life and it has been so plainly removed.

And even on this clear, beautiful day, there is a reminder of the fires that still rage through the coal seams. Smoke isn’t billowing, but the air smells faintly and pervasively of sulfur. There are holes in the ground from which wispy smoke drifts. Like a ghost, it doesn’t photograph, but it’s there to see with your own eyes.

Seeing smoke come out of the ground is something that disturbs a deep, primal portion of your brain. The smoke stinks like matches, and you know that’s bad and you really should just get the hell away. Even worse, when the breeze shifts and the smoke washes over you, it’s notably hotter than the muggy air. You feel it like breath on your face.

And you let yourself imagine that this might just be a little hint of hell. Because an endlessly burning, unquenchable fire that burns slowly underground, eatings its way through the bones of old trees certainly fits the bill. In that moment, sunny day or no, you’re still waiting to hear the old air-raid sirens.

Epilogue

There’s something else you can see from the ruins of Centralia, which sums up so much of the way the region feels to an outsider like myself.

Throughout the region, there are enormous, flat topped tailings piles, the remains of open-pit mines where machinery has chewed up all the coal and spat out the pieces we didn’t want to burn. They are ugly sores on the landscape, though you do see places where plants have begun to move back in. From Centralia, standing in the bulldozed shadow of a house, you can see one of these flat-topped monstrosities lined with the graceful white forms of enormous windmills, blades turning slowly in the breeze.

With the stink of sulfurous coal smoke permeating the air, the windmills really do feel like a distant promise, one that you might be able to reach if you can just stretch your arms far enough.

For a little more about the history of Centralia and its underground fire here is one site.
For the rest of my pictures from Centralia you can look through my online album.

Categories
history japan

65 years ago today

65 years ago today, the United States of America dropped the atomic bomb on Hiroshima, directly killing 80,000 civilians and indirectly killing up to 60,000 more of the following years. It’s a moment that’s left an indelible scar on the psyche of the world, with the image of a mushroom cloud as a symbol of the utter destruction a single bomb is capable of wreaking. The bombing of Nagasaki three days later feels almost like an afterthought, a coda of death and destruction, while the firebombing of Tokyo achieved a similar amount of casualties, but over a longer period of time and is often largely forgotten by anyone outside of Japan.

It is easy to argue that in World War II, we were among the “good guys.” Hitler was undeniably a Very Bad Guy. The Japanese committed atrocities throughout Asia, the most heinous of which – Unit 731, the rape of Nanking, its use of “comfort” women – the government has yet to truly acknowledge, let alone specifically apologize for.

But this is not about the burdens that Japan still bears, or what Germany has done to wear its sackcloth and ashes publicly. This is not about the general slaughter of civilians that characterized World War II on all sides. Rather, this is about America, and our own atrocities.

We were one of the good guys. We fought back the Nazis. We were attacked by the Japanese at Pearl Harbor. We did not strike the first blow against them in this simplified view of history. But good people can sometimes do terrible things, and the good guys in a story can often commit acts just as bloody as the bad guys. And it is important to acknowledge that these bad things did happen, and that they were bad.

There can be endless debate about the justification for dropping the bomb, whether it ultimately saved lives or didn’t, whether it’s more justifiable because the Japanese were committing atrocities in Asia. All of these points are open for endless debate; the bomb dropped in the past, and we quite literally have no way of knowing for certain what might have happened if it hadn’t been dropped. The history is what the history is. The question is how we look at that history and understand it now, what lessons we gain from it.

In Japanese, I have heard the atomic bomb called pikadon (ピカドン), which is an onomatopoeia. Pika is the flash. Don is the explosion follows. As an expression, it’s fun to say, and it sounds almost innocent. I’ve seen it, and heard it spoken in Japanese anime and manga, and for a long time I didn’t know what it meant, until I took a modern Japanese literature class. My teacher gave us pages from Barefoot Gen to read, and showed us a clip from one of the animated movies. In the manga, Gen’s father doesn’t buy into the military propaganda saturating the country, and there’s a strong anti-government and anti-war theme. The depiction of Japanese civilians as not a monolithic group that unthinkingly supported the war and military hit me and many of my classmates hard.

Not long after, I got in an argument with someone on Amazon, over a review for the book Black Rain by Ibuse Masuji. The person I argued with had accused the book of being anti-American. Black Rain is a beautiful book, and a heartbreaking one; it is a gut-wrenching story about the survivors of Hiroshima and how the bomb continued to kill them, years and decades after it had been dropped. It takes no strong political positions and focuses on the simple fact that having an atomic bomb dropped on one’s city is horrible.

That the destruction and suffering caused by the bombs was horrible is a fact. Facts do not exist to make us feel good about our country and the decisions we’ve made in the past. They are what they are. To attack a fact because it makes one feel uncomfortable changes nothing. To scramble for justification, to try to diminish that fact smells a little too like cognitive dissonance for my liking.

I think it may be time to spend fewer words on debating if dropping the bomb can be considered the right decision, because that is a debate that will never find a satisfactory conclusion. It is instead rather time to admit that whatever the intended result, whatever the justification, the atomic bomb dropped on Hiroshima killed a lot of people and caused a lot of suffering. That civilians in Hiroshima suffered and died from the atomic bomb in no way diminishes the suffering of the civilians of Nanking as they were raped and murdered by Japanese soldiers, while likewise the pain and horror in Nanking in no way lessens the suffering felt in Hiroshima. These things all happened, and all of the suffering was real.

We can still count ourselves among the “good guys” in WWII and admit that the atomic bomb killed a lot of people and caused a lot of suffering, and that it would be better if it never happens again. And I think that it is, in fact, healthier for us to admit that not everything we’ve done in the past deserves a tickertape parade, that maybe we do have some things we should apologize for.

The idea that one’s country can do no wrong is a dangerous one indeed, and the very reason that I think it’s important to consider the destruction at Hiroshima, in Nagasaki, in Tokyo. Maybe we’re the good guy, though that point is sometimes open to debate. But we are no super hero.