Categories
locally hosted story steampunk

Sniff, Sniff Adventure!

Being a story of a beloved, if admittedly not terribly bright, minor character who may be familiar to you due to his adventures in The Curious Case of Miss Clementine Nimowitz and Her Exceedingly Tiny Dog, available in Murder on the Titania and Other Steam-Powered Adventures

(If you’d like to hear me read this story out loud, here you go!)

Once upon a time, there was a happy little puppy named Chippy. He liked to bark, bark and run, run, but best of all he liked to sniff, sniff. He took Sister on walks where she held on to the leather lead so she would not get lost, just as he’d once taken Mummy on walks. They would walk and he would sniff, sniff at trees and fire hydrants and bushes where all the other dogs and some cats would stop and it was ever so interesting. Yay!

One day Sister wasn’t home, and that was sad. But Sneezy Lady (she smelled of lye and washing powder and it made Chippy’s nose itch terribly) came to hide all the interesting smells, and she left the front door open. At long last, Chippy could go on a walk by himself! He enjoyed walking with Sister and Mummy of course, but sometimes a dog just wanted to walk down the pavement and sniff, sniff where he would sniff, sniff and not be told what he could and could not roll around in.

So out for a walk Chippy went. Yay!

Down the street he strolled to investigate all of the interesting bushes so he could read the mail. People walked past and said nice things to him, so he wagged his tail politely. And then run, run, on to the next place to sniff, sniff. Yay!

At the big red mailbox on the street corner, he heard a man say, “You!” in an angry voice.

Chippy didn’t like the angry voice at all, it made him feel sad. And then he smelled a whiff on the man’s shoes and realized it was Mister Angry, and those were the shoes Chippy had done a Bad Thing on once. He hadn’t meant to do it, but it had happened because his stomach had been so very upset, and he felt very bad about that too.

He tucked his tail and his ears down to show how sad he was, and then Mister Angry swooped him up! Chippy squirmed and yipped and tried to make the best of the situation, because maybe Mister Angry wasn’t so angry anymore and wanted to play. Maybe he had forgiven Chippy for the Bad Thing.

Mister Angry carried him to a waiting steamy puff-puff car, and Chippy was excited because he liked cars. There were always such smells, and sometimes he could stick his head out the window and let the breeze flop his ears. Yay!

But Mister Angry just held him by the scruff of his neck so he had to sit still. He must still be upset about the Bad Thing.

“Grand Aunt Clementine was so fond of you, you little overfed rat, and so is Deliah. I bet she’ll finally give over some of the money that should have been mine so I don’t throw you in the river with a brick tied to your neck,” Mister Angry said.

There were a lot of complicated words in there that Chippy didn’t understand, but he recognized Mummy and Sister’s names, so he wagged his tail.

Mister Angry took him into a house that smelled like boiled cabbage, old shoes, and dust, which was all right but those smells became boring very quickly. He shut Chippy in a little closet and went away. Chippy tried to scratch at the door, but Mister Angry didn’t come back. He sniffed around and cataloged all of the old shoes, nosing them over. One of the shoes had shinies in it. Chippy loved shinies, they were his favorite. He couldn’t resist the taste and licked, licked them until he’d swallowed them all. Which made his tummy feel happy and full of shinies. Yay!

The closet door opened, and Chippy wagged his tail to say hello. It was Missus Angry.

“Why did Morris put you in here?” she demanded, angry.

He tried to lick her hand to make her feel better but she pushed him away, which mixed sadness with the shinies rumbling in his stomach.

“What did you do to the shoes?”

Missus Angry shoved him aside with her foot and he hoped maybe it meant she felt like playing, but instead she seemed to only want to play with the shoes. She shook each one as she put it back. “Did he move the safe deposit keys?” she muttered. “He did say he wanted to check on those papers he took from his mad old aunt’s house—oh you nasty little creature!”

Chippy had wanted to help, so had started sniffing through the shoes again.

Missus Angry grabbed him by the scruff of the neck and he went limp, ashamed. “This is not place I want a dog, let alone a bad little creature like you.”

She knew about the Bad Thing too. Oh, no!

Missus Angry carried him out of the house and put him in the woodshed. “You won’t be able to harm anything here.” Then she shut the door and left him alone.

For a few minutes Chippy felt sad, because this must be about the Bad Thing and he was a Bad Dog, but then he began to sniff, sniff around. He could only be sad for so long.

The woodshed was even more boring and lonely than the closet. There were no shoes, and no shinies either. But Chippy went sniff, sniff and smelled rats. His doggy heart told him that he was supposed to hunt and kill rats. Then maybe Mister and Missus Angry would forgive the Bad Thing. He nosed wood aside and dug into the pile, his stomach rumbling happily around the shinies all the while, and found a big rat hole in the wall. Oho! Rats thought they were so clever. He squeezed through and popped out the other side of the wall, into the overgrown garden of the house.

The garden was very interesting and full of smells, like cats and more cats and even more cats. He ran back and forth and dug around a bit until he had gone sniff, sniff in every corner. Then he thought he should go home to Sister, because she would worry and it was getting very close to tea time.

The fence around the garden was just for decoration, and he could walk right between the iron bars in the gate. He trotted down the pavement, head held high, and paused to sniff, sniff at everything that seemed interesting.

“Oh, what a cute little doggy!” a young woman said.

She smelled of bread and baby burps, which were both smells he liked. So he wagged his tail for her and danced around to say hello, and she scratched his ears.

“Are you wearing a collar?”

She picked him up in her arms in the nice way and he licked her face. She laughed, and the sound made him feel warm and happy around the rumbling shinies that were feeling progressively less and less happy in his stomach.

“Well, little man, you are a long way from home. I shall send your mistress a message so she can come fetch you. But you can spend the afternoon with me.” The young woman carried him to a house down several streets. It was a small house but there were food smells and a squirmy little human in a high chair. She let Chippy wander around in the kitchen and the squirmy little human fed him handfuls of soggy cereal and peas. Yay!

His stomach rolled around and around the shinies and soggy cereal and peas when Sister arrived. Even though he felt strange and weighed down, he still jumped and barked for her. Yay, Sister!

“I can’t begin to thank you enough,” Sister said to the young woman. “Please, if ever you need a favor, do let me know. Chippy is very dear to me.” Then she took Chippy off into a different car, and she let him sit on her lip and sniff, sniff out the window.

“I had the nastiest little note from Morris, claiming he had you, you know,” Sister said during the ride. “But you seem to have rescued yourself quite well. That’s my clever little boy.”

Chippy wagged his tail, though he was beginning to feel a bit odd. Maybe it was the car rocking back and forth.

Sister took him into the house and set him down in the parlor. “And you’re home just in time for supper.”

Chippy loved supper. Yay!

But then his stomach gave one mighty rumble around all the shinies and mushy cereal and peas, and he did a Bad Thing again. Right in front of Sister. In the middle of her carpet that was still new enough it smelled of dyes and wool instead of shoes.

Horrified with himself, Chippy tucked his tail back and let his head hang, waiting to be told he was a Bad Dog. He felt like a Bad Dog.

Sister, a handkerchief over her nose, leaned down to look at the Bad Thing. “Oh my. Are those…keys? They look like safe deposit box keys.” She didn’t sound angry at all. In fact, she sounded pleased. “Did you eat those at Morris’s house? Oh, good boy. You’re a very good dog.”

He was a Good Dog?

He was a Good Dog! Chippy wagged his tail and wiggled happily for Sister. She picked him up and carefully skirted around the Bad Thing on the carpet.

“And you shall have a nice supper of chicken and steak now,” she told him. “While I make certain all of my jewelry and keys are well out of your reach. I don’t know where you picked up this terrible habit.”

Chicken and steak? Yay!

And Chippy was a happy little puppy indeed.

If you would like to read more about Chippy and his human friends, check out Murder on the Titania and Other Steam-Powered Adventures!

Categories
writing

You’re nothing new.

“There’s nothing new here,” so why do we write it? – a blog post my dear friend E. Catherine Tobler wrote, and you should read.

And now I’m going to have some feelings that are too big and too angry to have on Twitter.

I have basically been told at various times since I started writing professionally, about almost every goddamn thing I’ve written, that “it’s nice, but it’s nothing new.” I’ve heard it in writing groups. I’ve seen it in reviews. It’s not new, it’s not that creative, it doesn’t add anything, it’s derivative, etc.

And as an aside, I have a particular feeling about being told that something I’ve written has been done before, almost always by a cis male writer fifty years ago, whose story I haven’t read.

It’s frustrating. It’s hurtful. It’s almost killed my ability to write, multiple times. It’s certainly killed my ability to read certain things, because being constantly told you aren’t that creative because your thing is like a thing you’ve literally never even read makes you not want to read things that might be similar to your next project. Because then at least when you get the sounds-accusatory-even-when-it’s-not verdict that “Person X already did this,” you can say, “Funny, because I haven’t read them.”

It happened within the last week, where I got recommended a book that’s in the same sort of sub-subgenre as what I want to write, and now I can’t bring myself to read it because then it’ll be like proof that I’m a pathetic piece of shit who can’t have my own ideas.

And what makes me even angrier is that it’s all subjective bullshit and it still takes up so much space in my head.

Your verdict on if something is new and groundbreaking has everything to do with what you’ve read before. So what’s new to you may not be new to someone else. And frankly, if you’ve read so much that you’re feeling jaded, why feel the need to pass that on to other people?

The idea that a work is somehow derivative because it explores similar ideas to something you’ve read before presumes that only one person can generate an idea from their experiences, and everyone else is riding their coattails. There are a lot of fucking people in the world, and it shouldn’t be a goddamn surprise that we overlap sometimes, even across decades.

I write because I’ve got something to say, because there’s a conversation I want to have, and telling me it’s not worth it because it’s not novel sounds a lot like “shut up and let other people I find more personally interesting talk.”

Something doesn’t have to be completely new or novel to have merit. I like reading things that are different, but I also like reading or watching things that are comfortingly similar to other things I’ve liked before. There’s a reason I love shows like Criminal Minds, and it’s not because they’re unique and challenging; in fact, part of their appeal is the formulaic nature, because it gives me something I know I’ll enjoy. That doesn’t mean the people involved in its production are any less artists, because they know what they’re making and they’re damn good at it.

I don’t see the benefit in novelty for novelty’s sake. I don’t believe there exists a holy Story That Has Never Ever Been Told Before By Anyone. There’s only iterations and changed details and twists and new takes, and that’s perfectly fucking fine, because sometimes the little twist will really just work for someone like it’s a light from heaven. I think the reason we tell the same stories is because they’re in our blood and bones and we’re constantly remaking them into what we need in the moment, and that is also beautiful.

And I think everything I just said is true, but it’s also defensive. These are things I tell myself when I’m feeling down so I can keep writing words. Because there’s nothing like being a “creator” when you’re constantly being told you lack the creative spark that’s supposed to animate your work. Well, I guess I’ll struggle through on sheer bloody-mindedness.

But none of that actually matters, and I’m going to go on the offensive for moment.

We stand at the nexus of countless, profound improbabilities on a planet that’s been around 4.5 billion years, and we are as different in character as grains of sand once you humble yourself enough to peer into a microscope. Unless I’ve literally typed, verbatim, what someone else wrote because I’m actually a skin bag containing infinite monkeys sitting at their typewriters, what I’ve written is a thing only I could have written, even if it’s down in the smallest of details. And I’m writing it because it’s exactly what I want to read, and if what I wanted to read was already out there, I’ve got an Xbox I could be playing instead of beating my head against a fucking keyboard so people can tell me I’m insufficiently unique.

You think what I’ve done isn’t creative enough? Fuck you, asshole. I am the only one of me that has ever existed in the history of humanity, and so is every fucking one of my writer friends.

Categories
locally hosted story writing

[Short Story] What Purpose a Heart

This story was originally published by Scigentasy on 5/13/14. Looks like it’s not on the website any more, and I happen to really like this story, so I figured I’d repost it here for all to see.

There’s more I’m going to be doing with this universe, trust me. :)

Categories
writing

Yes, but what is your game *about*?

I’ve been meaning to write about this since I got back from ECCC, and I guess this is my first opportunity. I spent most of the time at the con hiding behind the Angry Robot table and trying to convince passersby to buy some books. Which isn’t a problem, I assure you. I don’t really like crowds, so I’d rather be safely barricaded from them via a table. That’s why I only go to ComicCon-type events when I have to.

This time was a little different because we had several people come over to the table and introduce themselves. They didn’t want to buy any books, but specifically wanted to make contacts with writers because they were looking to hire some. So at each of these, my ears perked up. I’m a writer, after all, and I do like money. (And I have done writing for games, by the way, just saying.)

But most of the conversations went the same, kind of weird way. I’ve got a game, the person would say. It’s going to be a match three game with a social aspect and microtransactions and loot boxes and replayability, and we want women in their 30s to play it. Or variations on that, which were basically a laundry list of mechanics, mostly whatever game mechanics are currently making people their money.

Okay, but what is the game about? And that was pretty much where the conversation ran aground. Most of the people who talked to us didn’t have an idea of even the broad genre the story for their game would fit in, let alone a vague outline of what that story might be. Like, I don’t know, whatever ladies in their 30s are into.

I get that there are pressures to game design as far as profitability, and mechanics are a big part of that. But listening to a lot of these really random-sounding lists of mechanics, I spent a lot of time wondering what the hell kind of story they expected to be able to wrap around all those moving parts. Definitely not a story that was going to make much sense, in many cases.

Maybe it’s a symptom of the idea that writing is somehow “easy” and only needs to be an afterthought when it comes to crafting a game. Like it’s just wrapping paper over the mechanics that you’re going to use to extract the maximum amount of money from your audience. But if you want a narrative that’s going to compel people to, say, get attached to their favorite characters so much that they’ll throw wads of money your way, you need to at least know what kind of story you’re trying to tell. The best games I’ve ever played, while they haven’t necessarily been the most well-written on a dialog level, kept me coming back because they knew what they were and they knew what kind of story they wanted to tell, and the mechanics worked with that. If you have a story, or hell, just a genre and theme you’re passionate about, it comes through.

It bothers me and makes me sad, both as a writer and a gamer, that story seems to be treated as some kind of necessary evil, and writers an unfortunate expense that must be paid to thinly wallpaper over your game mechanics.

Categories
writing news

Happy sequel day!

It’s here! Out in the UK and the US now, you can get Blood Binds the Pack!

I mean JUST LOOK AT IT. LOOK AT MAG BEING A TOTAL BAMF.

This is my first ever second book, and I’m really, really proud of it. There are explosions, and an even bigger heist, and girl kissing, and a blue-collar uprising, and a little bit o’ murder husbands too. All the stuff you liked in Hunger Makes the Wolf, but hopefully moreso! You can get it at AmazonBarnes and NobleKobo, and the Angry Robot site.

Categories
writing year in review

2017 Writing Year in Review

Writing This Year

Novels: 2 (Blood Binds the Pack and an as-yet untitled scifi novel that I finished off at the beginning of December.)

Novellas: 0

Novellettes:  0

Short Stories: 1

Flash: 3

Feature Length Scripts: 0

Other Scripts: 2 scripts written for Six to Start

Paid Reviews/Nonfiction: 4 for Tor.com, 17 for Book Riot

Treatments/Outlines: 7

Editing: A couple of small paid editing gigs.

Consigned to the trunk of awfulness, never to return: None this year, maybe because I’ve been completely ignoring my short stories in favor of long stuff.

Best/Favorite story of the year: Without a doubt, it’s Blood Binds the Pack. I am so fucking proud of this novel. It did everything I wanted it to do and then some.

Magic Spreadsheet wordcount: I have been tracking on the spreadsheet since June 24, 2013.

  • Total words written: 501,010 this year (1,933,798 in the last ~4.5 years)
  • Average words per day: 1,373 (more than last year’s 1,276/day)
  • Days in a row written: 1,651 (over 4 years without stopping)

Publishing

Queries sent: 10
Rejections received: 8
Pending: 2
Most rejections received: This year, it’s Excerpts from the Personal Journal of Dr. V. Frankenstein, MD, Department of Pathology, Our Lady of Mercy Hospital, again. But I am going to sell this story, dammit.
Total earned: $9,872.41, surpassing last year by over $2K and making this year the most I’ve earned with my writing thus far in my life. Obviously still not at a level where I could even entertain the notion of supporting myself, but it’s heartening.

Published this year:

  1. Hunger Makes the Wolf (Barnes and Noble, and Kobo)
  2. Angel of the Blockade from Tor.com (ebook version)
  3. Past the Black Where Call the Horns in KZine issue #19
  4. Comfort Food in Haunted Futures: Tomorrow is Coming
  5. Once Upon a Time There Was a Xurit Named Xcanda from Humans Wanted
  6. Six More Miles in Giganotosaurus (3/1/17)
  7. [REDACTED]
  8. The Escapism of Romance (Book Riot)
  9. Recommended Reading for Andy Weir (Book Riot)
  10. 9 Space Magic Books for Fans of the Destiny Games (Book Riot)
  11. Reasons I didn’t finish the book you loaned me (Book Riot)
  12. Tolkien’s Map and the Perplexing River Systems of Middle Earth (Tor.com)
  13. Tolkien’s Map and the Messed Up Mountains of Middle Earth (Tor.com)
  14. Speculative Fiction on Tap: Revenge of the SF (Book Riot)
  15. Hugo Awards 2017: The Wonkening (Book Riot)
  16. 7 Ways to Support Your Favorite Authors (Book Riot)
  17. Choose a Better Chosen One (Book Riot)
  18. How Deadlines Put My Reading Habits into Overdrive (Book Riot)
  19. Star Wars: Still Disappointingly Heterosexual (Book Riot)
  20. What the World of The Hunger Games Teaches Us About Global Warming (Tor.com)
  21. Arrakis, Tatooine, and the Science of Desert Planets (Tor.com)
  22. Keep Your @ to Yourself (Book Riot)
  23. Solidarity Reading List (Book Riot)
  24. The Hugo Report: Finalists 2017 (Book Riot)
  25. SFF On Tap: Pairing Books and Beers (Book Riot) (part 1 of potentially… more than one)
  26. The Hollow Woman: Female Characters in Science Fiction (Book Riot)
  27. My Glorious Return to the Library (Book Riot)
  28. Books as Self Defense (Book Riot)

Slated for 2017:

  1. Blood Binds the Pack from Angry Robot Books (available for pre-order!)
  2. As yet untitled story in the Sword & Sonnet anthology
  3. The triumphant return of Captain Ramos from Queen of Swords Press

Goals for 2017

  1. Shut up and write.
  2. Wake up and fight.
  3. Write the two feature-length screenplays I’ve outlined.
  4. Write at least one novel, probably a fantasy novel this time around.
  5. Get the birthday short written, and try for a couple of others. My short story stockpile is almost nonexistent. This of course requires remembering how the hell to write short stories.
  6. Pitch a blog post series about geomorphology and geology for GMs.
  7. Find a sensitivity reader for that novella and get it done at long last.
  8. Read at least 60 books.
  9. Finally convince Bungie to let me write that Twilight Gap novel in the style of Killer Angels. I’ve got to have an impossible dream on this list every year, right?

Other Stuff

  1. I DID get Blood Binds the Pack to Angry Robot, well-written and on time.
  2. Destiny 2 has turned me into a Striker and I don’t know how I feel about that.
  3. Started reading romance novels in earnest this year, as a form of escapism. No regrets.
  4. According to my list on Goodreads, I read 94 books this year. Having a library card really helped push this. Though as a note, some of the “books” are actually short stories/novellettes/etc from the Hugo reading list that were still listed on Goodreads.
  5. I went to Finland and Iceland this year. And despite the fact that I was incredibly sick for most of that trip, in Iceland I WENT DOWN INTO A MOTHERFUCKING VOLCANO YOU HEARD ME RIGHT.
  6. The Last Jedi is officially my favorite Star Wars film.
  7. This is the year I started vlogging as an experiment. Still having fun with it.
Categories
awards eligibility

Awards Eligibility 2017

Since it seems award season is upon us again (wheeee?) it’s time to note what I’ve had published this year.

Short Story

Novelette

Novel

Fan Writing/Other

Categories
writing writing advice

Dealing With a Bunch of Fucking Nerds: Research and “Getting It Right”

I’ve gotten some interesting blowback since I decided to go public with my irritation over JRR Tolkien’s puzzling geomorphology. Among the “well actually” and personal insults, there’ve been a more interesting complaint, with variations. To paraphrase: “Writers shouldn’t have to be an experts on everything just to tell a story!”

Well, yes and no.

To be fair to my geological whinging (and that of many other nitpickers across a multitude of different fields), you don’t actually have to be an expert at anything to get most of this stuff right. The geology is level 101 stuff you would cover in the Freshman classes fondly called “Rocks for Jocks” at my old university. The amount of research you have to do to get particular details that are ancillary to your story correct is probably very small. Take a half hour out of your day to do some googling. Ask a friend who is knowledgeable in that area. Read a single book about it, and you’ll likely be covered.

Actually knowing that you lack the knowledge or what you’ve absorbed from other novels and TV is incorrect so that you’d better start asking questions is the much more difficult part. Because you have realized by now, right, that art and reality often diverge?

I think the much more important question here is: do you care if you get it right?

I’m going to add an extremely important caveat: There are certain topics, particularly when it comes to the lives and histories of marginalized groups, where you can and will hurt people by not doing your research. For example: books that promulgate racist tropes or racist historical narratives. Now, maybe you don’t care if you hurt people, in which case I think you’re an awful person and you probably don’t care about that either. But for the most part, we can apply the principle of “First, do no harm” here.

But the course of your river making no goddamn sense in a world where water works the same way it does on Earth? This harms precisely no one. It might irritate people who have a basic understanding of geomorphology, but irritation is not the same thing as being harmed. The decision you’re really facing as a writer is if you can handle people complaining about it, and at absolute worst not buying your next book if it pisses them off that bad. (In which case they were probably looking for hyper-realistic world-building-porn fantasy and wouldn’t really be your target audience anyway.)

Part of this is a question of audience expectation. What expectation are you setting up for them? There’s been a lot of fantasy written that projects a veneer of realism (eg: Game of Thrones, and frankly Lord of the Rings) which means that when the details fail, people with a reason to understand those details take notice. If you want to be “realistic,” you have to do the work or risk someone catching you being lazy and saying now wait a damn minute loudly and in public1. The audience is generally not going to approach something that purports to be realistic with the same expectations they will approach something that says on the package it takes place in a bananapants land where rocks float and rivers run backwards due to the population of magic-farting unicorns.

Even if you clearly project that this is bananapants-land, you’re still going to get complainers, though. This is because you’re working in a genre full of fucking nerds. And you know what nerds do? They pick apart things they hate using the lens of their specialized knowledge, and they pick apart things they love even more. And then they talk about it, incessantly.

Only this isn’t a thing limited to nerds in the classic genre sense. Firefighters shred movies like Backdraft and enjoy it in all its awful glory.  If you write a sportsball book and you get the sportsball details wrong, I’m pretty sure the people who like sportsball will eat you alive. This is a human thing. When you have knowledge, you notice when something is wrong, and then you tell other people about it.

So wait, am I saying you do have to be an expert in everything? No, I’m saying you have to be okay with experts reading what you wrote and possibly finding it wanting.

When I was doing my screenwriting coursework, there were two things I heard in every class, without fail:

  1. Give yourself permission to suck.
  2. Never let the facts get in the way of the truth.

Rule number two here means that if reality gets in the way of the story you’re constructing, the story wins. Screw reality. This is probably the reason why pretty much every movie ever made causes experts to tear out their hair.

I don’t think this should be considered blanket permission to just make everything up and not even try. There are a multitude of books and movies that are terribly researched, and the fact of the matter is, if they’d actually given reality a chance their conflicts and twists would have been a hell of a lot more interesting and challenging for the characters. But you’re writing a story, not a textbook. So write your story. Just realize that this is not a get out of jail free card from ever being criticized about anything.

(Though I will say, if this criticism of your work is dropped steaming into your inbox or tagged at you on social media, that is rude as fuck on the part of the angry nerd. If you choose to read it, that’s your problem.)

Ultimately, you have to decide what you want to get right, and what you’re fine with getting yelled at about. I’m sure all of the physics stuff in what I write is terrible, because I prefer handwavium-fueled rule of cool physics to real physics. Thus, I do not give even half a shit if someone complains that my physics suck, because I was never trying to get them correct in the first place. The people who complain are still allowed to complain, and I’m allowed to ignore them. It’s a feature, not a bug.

And even for the stuff you want to get right, I have some bad news: you’re probably not going to nail down every detail perfectly. Worlds are complex things, and there will always be nitpickers who know more about something than you. It is impossible to write a book that is universally loved and never criticized for anything, and worrying over it will induce a sort of creative paralysis that will make writer’s block look like a fun day at a water park. The fact that you are a writer means that someone, somewhere, is going to hate the thing you wrote—or love it but wish you had just gotten the right breed of horse in that one scene—and they are going to take to the internet and talk about it.

Embrace it.

1 – As an aside, actually having a basis in reality versus being perceived as realistic are often two incredibly different things, and when you’ve got an audience that lacks expert knowledge it’s another wrinkle in the expectation game. That’s why, and I will use hilariously here to mean that I’m going to laugh so I don’t scream, there are sectors of readers who think ubiquitous sexual assault in medieval-Europe-flavored fantasy is “realistic” and the presence of non-white people in such a setting is “unrealistic.” Where actual realism flies in the face of the pop culture zeitgeist of “realism,” I encourage you strongly to challenge your readers because it’s good for them. Just be ready with your research notes.

Categories
writing

Too Long for Twitter: I don’t like fantasy maps

I made the mistake of mentioning on Twitter that some day I would vent about why I hate fantasy maps, and that got enough people asking that apparently today will be that day.

DISCLAIMER THE FIRST: These are my personal opinions as a reader. If you, as a reader who is not me, happen to love fantasy maps and can’t get enough of them, that’s totally fine. This is not a judgment on you. We are allowed to like different things when we’re talking pretendy funtimes and not, say, fascism.

DISCLAIMER THE SECOND: Some of my fellow writers may read this. I want you to please understand that this is not a personal attack on you for having decided to make one of those fantasy maps. Readers have different preferences, and I’m sure you have readers who will like maps as much as I don’t like them. And in fact, despite my preferences as a reader, as a geologist, I would be more than happy to help make sure your fantasy map doesn’t contain horrendous geography for a reasonable fee. Because if they’re gonna be out there, I’d like for your maps to be good ones. And I actually do enjoy maps as objects of art, weirdly enough.

We all on the same page now? Good.

Why I Don’t Like Fantasy Maps: A Short List by Alex Acks

  1. Most of them are terrible. Like geographically, geologically terrible. You’ve already probably seen me complain about the map of Middle Earth. From my experience as a reader, and I’ll readily admit that I have neither had the patience nor time to read every fantasy book ever written, the majority of fantasy maps make me want to tear my hair out as a geologist. Many of them are worse than the Tolkien map, and without his fig leaf of mythology to justify it. (And sorry, it’s not a fig leaf that works for me.)
  2. Corollary: If your fantasy map is terrible, you have probably already lost my willing suspension of disbelief before I even dive into the book. Sorry, but this is what an MS in Geology will do to an otherwise easygoing person.
  3. Corollary: Looking at these maps will often make major worldbuilding issues lunge out at me that otherwise might have slid by. Like, for example, the question of where the hell your massive population center is getting its water when it is located nowhere near a river. Or the question of where they’re getting their food from. And so on.
  4. A lot of fantasy maps stand out very glaringly as lands that have been artificially created around a story that was already written, rather than organic geographies that shape the stories and peoples. This will often point back at the previous three points, because features and geography that are located to suit a story aren’t necessarily going to make any goddamn geographical sense. I find this artificiality annoying.
  5. There’s a tendency in certain fantasy maps to make most country borders follow things like mountain ranges or rivers. This, frankly, looks extremely weird.
  6. The number of people who don’t bother to put a fucking scale on their fucking map astounds me. A map without a scale is functionally useless.
    1. We failed student projects in field lab for not doing this, because without a scale, a map (or diagram, or picture) is meaningless.
    2. Putting some kind of scale or other surveying marks to indicate how distance on a map relates to measured distance is not a recent invention. (Even if the measurements weren’t terribly accurate at times.)
    3. If you don’t put a scale on your map, then it’s basically a relativistic perception exercise for whoever the cartographer was… which could almost be interesting if one of the characters made the map, but I don’t think I’ve ever seen that happen in a book I’ve read.
  7. I get extremely offended as a reader if understanding a book requires me to check an appendix or look at a map for what’s happening to make any sense. It breaks up the flow of reading, and a lot of times, it’s something that could be taken care of in the text.
    1. There is literally only one book I can think of as an exception to this: The Killer Angels. Which is not a fantasy novel; it’s a historical novel that closely follows the Battle of Gettysburg. It’s got some very detailed maps of the battlefield over each of the days in it that it does help to consult for understanding of things like troop movements and line of sight. I have never run across a fantasy novel that hits this level of detail, and honestly I doubt I’d be interested in one.
    2. ETA1: OH WAIT I LIED! There is one other exception, and it is a fantasy map! The map of the Stillness that NK Jemisin has at the beginning of The Stone Sky is A+ and has a scale. I didn’t feel the need to consult it during reading, but it warmed the rockles of my geologist’s heart to see all the plate boundaries laid out for the supercontinent.
  8. If the map isn’t required for understanding of the text, I’m left wondering why it’s even there. It’s not necessary. It’s more information than I need.
  9. I’d rather have the space to imagine things for myself.
  10. I don’t like that the ubiquity of unnecessary maps in fantasy literature puts pressure on me as a writer to follow suit. As someone who has drawn or otherwise generated many a map as a function of my job as a scientist, you can’t make me.
Categories
writing

FAQ: Will there be a sequel?

In case you didn’t notice… I HAVE A BOOK OUT AAAAAAAAAAA

And a lot of wonderful, intelligent, incredibly good-looking people with impeccable taste have been asking me if there will be a sequel. And the answer is… YES!

As a matter of fact, funny story, but I literally typed “THE END” on the rough draft for the sequel two days after Hunger Makes the Wolf was released in the US. I am in the process of editing it right now. MAYBE EVEN AS YOU READ THIS VERY POST.

I can’t tell you much more about it than that at the moment because I don’t want to get turned into a shuriken pincushion by the Angry Robot MechaNinja Squad(TM), but I can assure you of the following:

  • You will find out what the Bone Collector’s deal is
  • You will find out more about what the fuck is up with this weird-ass planet anyway
  • There is more Mag, more Hob, and a lot more swearing
  • Things will get blown up

If you’d like to get the updates as they come, hey, I have a mailing list!

I appreciate all the support and kind things y’all have had to say about my sweary space witch biker lady friendship book so far. It’s meant a lot to me! And if I can ask one more favor… if you enjoyed it enough that you want a sequel, pretty please go at least rate the book on Goodreads if you do that, Amazon, or wherever you happened to buy it from. That really, really does help. Reviews are like unexpected unbirthday presents! Also, if you have a card at your local library, consider asking them to get the book so other people can enjoy it. 

(All of the above are amazing gifts to give any author whose work you enjoy.)

And if you haven’t read the book yet, now’s your chance! You know I’m not going to leave you hanging sequel-less. And look, people have been saying all kinds of super nice things about Hunger Makes the Wolf:

“It has a wonderful weird west vibe and some of the phrasing is simply delicious. Hob is a wonderful character to follow – hers is a solid journey and I got a bit choked up when Hob stood up for what she wanted. Alex crafts a host of fascinating characters here – the Weathermen, the Bone Collector – and I reckon you’re going to love their adventures.”
E Catherine Tobler, author of the Folley & Mallory Adventures and The Kraken Sea

“This thing drips with tension – between characters, within the story itself – that makes it impossible to put down. I needed to know what would happen next, what would Hob do. Tanegawa’s World may be a desolate and uninviting terrain, but it provides fertile ground for the characters,who truly blossom on the page.”
– Shana DuBois for B&N Sci-Fi & Fantasy Blog

“It’s a science fiction Western thriller, and it is great, and I’m really, intensely, eagerly looking forward to the sequel. This is the sort of thing I really like. UP WITH THIS SORT OF THING.”
– Liz Bourke, for Tor.com

“The story is a fast-paced, edge-of-your-seat space opera, tied together with the characters’ struggles, adventures, and mishaps. If you’ve ever thought, “You know what Dune needed more of? More magic and a biker gang!” then this book was written for you.”
The Canary Review

“I was expecting a fun, quick space adventure read, but this story is so much more than that.”
Helen Lindley

“This one definitely makes it into my ‘Highly Recommended’ stack. I’d pick this one up for sure if you’re looking for a fun action romp with some unique and amazing female characters.”
All Booked Up Blog

“I’m always excited when I find a new book that makes me stay up all night reading because I simply can’t put it down. I’m doubly excited when that book is the first in a brand new series. Hunger Makes the Wolf is both those things. Needless to say that I’m absolutely in love.”
Elena Linville’s Tower of Winds

“This is a very cool novel. Hunger Makes the Wolf is a fun, fast, gripping read.”
– The Irresponsible Reader

Hunger Makes the Wolf is an entrancing addition to any science-fiction lover’s collection. The clever prose alone is enough to grab your attention, but what really makes this novel shine is how immersive it is. The worldbuilding is meticulous, the characters are multifaceted and original, and the present themes are timely and inspiring.”
RT Book Reviews

“I have to commend Alex Wells, this book was a genuine pleasure. Just goes to prove, irrespective of genre, you can’t go wrong with well-rounded characters and a plot that zips along at a good pace.”
The Eloquent Page

“Grab any science fiction book and you’ll see they all have the exact same thing in common: the plots and devices of the stories are all predictable and never stray out of bounds. They hardly even push the envelope and, with great joy, I’m glad the author never got that memo. Here’s why: Wells adds magic to the mix. It’s a stroke of genius I’ve been waiting for Peter F Hamilton or Alastair Reynolds to pull off to no avail.”
The Splattergeist

“It’s a well-conceived, smartly plotted, enthusiastically fast-paced sci-fi adventure with some cool ideas and a couple of excellent lead characters who’ve got plenty growing still to do in future books.”
SF Bluestocking

“This is one gem of a story you shouldn’t miss out on.”
Smorgasbord Fantasia

“I will be picking up future volumes.”
James Nicoll Reviews

“Sharp, honed, and brilliant.”
Skiffy & Fanty

“Obvious parallels to Frank Herbert’s Dune will draw readers into this action-packed tale of tyranny and rebellion, but Wells’s character developments take the plot in new directions, leaving the possibility of a sequel.”
Library Journal

Hunger Makes the Wolf is a great bit of sci-fi with a dash of fantasy, all cleverly disguised as a brutal, kick-ass western. I want more!”
Michael Patrick Hicks

“Angry Robot has really upped its game lately; this is one of their best recent releases. Strong debut and I hope for a sequel to start answering a few more of my questions.”
Fantasy Review Barn

Thank you, everyone. Keep reading!

PS: Slightly-less-FAQ answer: Why yes, Coyote and Dambala are totally banging. They’re basically shitbag murderhusbands.