Categories
movie

[Movie] 400 Days

400 Days is the first theatrical release film from a company (SyFy) that’s been cranking mediocre to howlingly (we hope intentionally) funny terribad movies out onto its cable station for years. Getting in to movie theaters is a big deal, a major investment, but doesn’t necessarily guarantee a movie’s actually good, right? Let me tell you, I’d rather watch a SyFy offering any day than Transformers 4. But is this Syfy going legit, so to speak?

Imagine the wiggly hand gesture here. Yes and no. I’ll be the first to admit I’m a tough sell when we’re talking relatively small/low budget independent scifi, because we’ve seen some amazing shit in the genre recently, mostly dominated by the UK. So I’m probably a harsher judge than I could be. On the other hand, I really, really want SyFy to succeed, because I want to see more small, weird, good genre films. And SyFy’s generally got the weird part down at least. I went in to 400 Days wanting very much to like it and wanting it to succeed.

Spoiler: I was disappointed.

The movie’s got a pretty straightforward plot: A sleazy corporate dude in a suit, representing a private company that’s breaking in to space exploration, puts four astronauts in an underground bunker for a 400 day experiment to simulate a long term space voyage and ascertain the psychological effects. The simulation astronauts are named Bug (Ben Feldman), Neil (Brandon Routh), Dudebro (Dane Cook), and Emily (Caity Lotz).

(Okay, actually, according to IMDB they’re Bug, Theo, Dvorak, and Emily, but I swear to god for the first half of the film everyone sounded like they were saying Neil instead of Theo.)

Not long into the experiment, the crew loses contact with their corporate, simulated ground control. They assume it’s part of the simulation and keep going, at which point things get increasingly weird in a way that indicates the film really wants to be a psychological thriller.

The sets (and filming style) all have that faintly unreal, cardboard-y look to them that seems endemic of SyFy movies, but in this case it actually works for the film, since the crew isn’t actually in a space ship–just an underground bunker that’s been tarted up to look like one. We’re always supposed to be in doubt about what is actually real, so everything looking a bit fake does lend itself well to that. Nothing too remarkable in the filming style, standard teal and orange color grading. Sound was… all right, though I had a hard time understanding the actors now and then, which is why I was convinced for about half an hour that Theo was actually named Neil. I thought the actors turned in decent performances, though Tom Cavanagh (playing Zell, creepy survivor guy and possible cannibal) was over the top in a way that really clashed with the rest of the film leading up to him. I also had a hell of a time telling Brandon Routh (Theo) and Ben Feldman (Bug) apart.

What let 400 Days down wasn’t the acting or the direction or even the fact that Evil Co apparently buys their space ship trash cans at Target, but the script. The characters (except for Bug) were cyphers with no past and no real internal emotional life to feed what they were doing or make their decisions sensical. This could have been forgiven in scifi/horror fare where you just sit back and watch the blood spray and CGI aliens gorge themselves on livers or pituitary glands or what have you, but not when we’re supposed to actually care about the struggle of these supposed “ordinary” characters against the unseen forces that seem to manipulate them. Worse, what starts as a decently solid plot unravels completely by the end. I’d recommend not bothering with this one until you can just watch it on the Syfy channel.

Spoilers as I get a bit more detailed into the plot.

Categories
anthology writing

Hey you. Yes you. I want you to write a story for my anthology.

What fresh hell is this? Only the freshest of hells, my darlings: No Shit, There I Was. And yes, that sure is my name as the editor.

See, this one time at this one con, I was sitting in the bar with other writers, and we were doing what writers do, which is drink and cry about our life choices, when I mentioned how I thought there should totally be an anthology where every story started with the immortal line, “No shit, there I was.” Because where those stories go is always a magical and at times intensely horrifying place. And every time I mentioned this fictitious anthology, my fellow writers would always laugh and say hell yeah, they’d either write a story for that, or read the shit out of it, or both.

Then one day I hauled out my threadbare little idea when I was in a bar with Steven Saus. Which lead to him sending me an e-mail that basically said, “Hey, were you actually serious about that anthology idea?”

And here we are.

Okay, everyone who ever told me that you thought that sounded like hella fun and you’d write a story: time to do the thing. And everyone else? You should write me something too. Give me comedy, give me tragedy, give me both at the same time so I won’t be sure if I’m crying with laughter or sorrow, just so long as it’s speculative fiction. I want to see all the interesting places your characters can go when you take a step past the obviousness of the line.

This is going to be awesome.

Categories
movie science fiction

[Movie] Snowpiercer

There is a basic level of surreality you have to accept when you approach this movie, similar to when you watch a Terry Gilliam or Jean-Pierre Jeunet film. (I can’t believe it’s coincidence that one of the characters is named Gilliam.) There are things that happen that don’t necessarily make sense outside of a sort of dream logic. But if you can accept that, the experience is intense and rewarding.

Snowpiercer is gorgeous and disturbing and a bit heartbreaking. Just the way it was filmed was beautiful. Every car of the massive train has its own distinctive color palette and environment, which I loved. It goes from claustrophobic filth in the rear of the train to strangely 50s-esque, to technicolor futuristic to heartlessly gearpunk. And while there’s quite a bit of violence in the film, it’s brutal rather than titillating. People who get hit once with an ax go down and stay down. (Well, mostly.) Characters come out of the mid-film meat grinder utterly shell-shocked.

(And considering the movie I saw before this was Transformers 4, I appreciated the visual coherence among the complexity all the more.)

The plot for the movie sounds deceptively simple when summed up: Geoengineering that attempts to counter the undeniable threat of global climate change goes horribly wrong, throwing the world into a life-killing ice age. Humans take refuge on a massive train that is effectively a closed ecosystem that never ceases moving, making an entire circuit of all the continents once a year. There is a strict class system enforced with religious fervor, based on the original ticket bought by the passengers. The tail of the train is basically steerage, controlled brutally and fed on “protein cubes” with the cars becoming increasingly high class toward the engine. Curtis (Chris Evans) working with Gilliam (John Hurt) foments a rebellion and attempts to take control of the engine so they can demand equal treatment for those who live in the tail.

As you can imagine, this movie is very specifically about class, and about the way the poor are controlled, abused, and used by the wealthy. It’s also very much about the structures put in place by the wealthy in order to maintain that control—in this case to a Machiavellian, mind-bending degree. But the most pointed and brutal scenes of the movie are really the ones that involve children, both the way children are indoctrinated from an early age, and the way the children of the poor are ultimately meat for the gears of society.

The next time someone says that science fiction—nay, good science fiction—can’t or shouldn’t be political, I invite them to sit down and watch Snowpiercer. Then take a big swig from their swimming-pool-sized movie theater cup of shut-the-fuck-up.

I can’t begin to say how grateful I am that Bong Joon-ho dug in his heels and fought to keep his cut of the movie intact. If you’re one of those lucky people who live in a city where Snowpiercer is showing on its limited release, drop what you’re doing and go.

(For an excellent analysis of Snowpiercer as a movie about capitalism, see here.)

And a few SPOILERS now: 

Categories
movie science fiction

I am sorry you were held captive in a windowless basement in 2013

I was going to rant about this on Twitter, but bleh. Quick blog post is easier: The Sad State of Modern Sci-fi

Short summary: They do not make amazing scifi movies like 2001: A Space Odyssey any more. CGI is ruining everything. There hasn’t been a good (in this case defined as thoughtful and intelligent) scifi movie since Moon in 2009.

Mr. Forward: I am extremely sorry to hear that last year, you were held captive in a windowless basement by evil, scifi-hating orcs and thus not allowed to go to the theater and see Her or Gravity (which relied heavily upon cgi). The former, I’ll note, won a richly-deserved Academy Award for Best Original Screenplay. The latter won several Oscars, including taking home Best Director for Alfonso Cuarón. (Now, to be fair, Mr. Forward’s post is from February 14, 2014, so he couldn’t have known this would happen.) I am also saddened to hear your subterranean prison did not have pay-per-view, and thus you were incapable of accessing Europa Report–a movie that was not without its problems, but was still an extremely solid offering for the genre if your requirements are thoughtful and intelligent.

And you’ll note here, I’m just sticking with the hardest scifi I can find. Go into softer scifi and you get Under the Skin. If you want to expand out toward fantasy, I can offer quite a few more movies that definitely deserve to be called thoughtful and intelligent in 2013, including Byzantium and Only Lovers Left Alive.

2013 was an incredible year for genre film, any way you slice it. While most of what I named were smaller, independent films, Gravity had a lifetime domestic gross of ~$274 million, not too far behind 2001: A Space Odyssey‘s inflation adjusted lifetime domestic gross of ~$297 million. Those numbers ain’t anything to sneeze at.

I guess you could dismiss the films I’ve named as not good enough in relation to the examples you hold up. It’s probably true that they’re never going to make another film like 2001: A Space Odyssey, and that’s okay. That film already exists, and has held up through time. Let the filmmakers of today make different films and seek the answers for different questions. If Her and Gravity are insufficient in your eyes, I’d question if you’re defining good scifi cinema as thoughtful explorations of big questions on film, or as thoughtful explorations of big questions on film that precisely  fit your personal taste. At which point you lose my sympathy if your taste is so narrow as all that.

Categories
science fiction squee writing

So then the squee happened.

I literally had just gotten in the door from work, was rushing to try to get my computer set up so I could say mean things about Godzilla (2014) on the Skiffy and Fanty show (which is a whole other bit squee right there) when my phone rang. Scaring the crap out of me in the process.

It was Christie Yant. This is the first time in my life I have been called about any kind of writer-type thing. And Christie wanted to talk to me about Women Destroy ScifiNamely that they needed another story for the print edition and she loved my story that she had to turn down so much, that was the one she wanted and then I think she might have said some other things but I couldn’t hear her over my brain going OH MY GOD OH MY GOD OH MY GOD OH MY GOD AAAAAAAAAAAAAAAAAAAAAAA

(And all I have to do is be able to do quick turn around on the edits tomorrow. Sister, for a chance to destroy science fiction, I WOULD DO MY EDITS WITH FEET WHILE BALANCING ON MY FREAKING HANDS AND SINGING LATIN HIPHOP FOR YOU.)

So I get to destroy scifi with my sistren after all. AND I STILL GET TO BE IN LIGHTSPEED. YES. I JUST SOLD THE SAME STORY TWICE TO LIGHTSPEED. AAAAAAAAAAAAAAAAAA.

And that was my Friday night. I think I win.

Categories
sarcasm science fiction writing

Yes, I am trying to destroy science fiction, thank you for noticing.

God, what does a woman have to do around the internet to get her heathen liberal-fascist* feminazi reverse racist anarcho homosexual agenda aimed at the complete destruction of a literary genre noticed? I was about to start setting shit on fire, I fucking swear.

But it’s okay, guys! Senpai noticed me! (Okay, and a lot of other people, but I’m still getting some dokidoki in my shriveled, blackened little kokoro.) Finally, someone gets what we’ve been trying to do all along! We no longer have to go creeping around under cover of the internet, stealing Edgar Rice Burroughs novels from babies and pushing well meaning white guys (who just want to explain to us that we should stop whining because racism and sexism aren’t actually a thing any more, or wait maybe they are a thing but we should just suck less okay) down the stairs.

I for one am relieved. I’ve hated scifi since the minute I first encountered it. As my mother read The Hobbit to my brother and me as children, I had only two thoughts:

1) I was pretty sure I could take my older brother in a knife fight. If I sacrificed him on the altar if the dark and terrible lesbofeminazi gods, would I grow up to look absolutely fabulous in trousers and have my very own mustache to twirl?

And.

2) I was going to destroy Middle Earth and the rotten literary ground from which it had sprung. And then salt the soil with the bitter tears of all god-fearing, proper fans.

I never managed number one, though I do still look fabulous in trousers. But goal number two is ticking along nicely. I have joined an (apparently not so secret) cabal composed of basically everyone who isn’t a straight white guy oh wait there are some straight white guys in or cabal too, um shit, I guess it’s actually a cabal of people who just don’t think everything has to be about straight white guys. Yeah, that. And then, of all dastardly things, we WRITE.

Because we saw, you see. We saw so clearly that the foundation of all speculative fiction is actually straight white guys, not, you know, fantastical elements and what if like those lying bastard liberals tell you in their “college courses.” (Hah! Our secret liberal indoctrination works again!) So if you replace the straight white guys in fiction with people that actually reflect the diversity of the population, IT WILL ALL COME CRASHING DOWN LIKE A JENGA TOWER SURROUNDED BY DRUNKEN UNDERGRADS.

AHAHAHAHAHAAAAAAAAA

I mean, we SAY we would just like to read stories about people like us, that a little diversity doesn’t hurt, but smart guys like senpai know. He’s on to us. We hate art, because art is only the stuff senpai likes reading, and the rest of us totally don’t count because we don’t get the greatness of all that ART. We’re just going to burn that shit down. I for one only read scifi because I hate it. I only do things I hate. That’s how my bitter, sad, and twisted life works. That’s why you should all run out right now and bake me cakes because if there is one thing I hate more than scifi it’s cake and I’ll eat cake while I read a scifi novel so then MY HATE-FILLED, MISERABLE EXISTENCE WILL BE COMPETE.

I am so glad I don’t have to pretend any more. It’s like a great burden has lifted from my shoulders.

Now, I’m going back to writing my story about a lesbian Sikh werewolf going to the prom because I am doing my part to destroy everything that scifi stands for. Which, let us remember, is only straight white guys. Only that. Ever.

* – That’s what it’s called, right, Bill O’Reilly (or was it Glenn Beck I don’t even know any more they’re all like the same person) is no longer actually intelligible through all the froth, so I’m guessing.

Categories
books science fiction

Embassytown

I’ve finally found a way to love China Miéville.

Which I feel really guilty about. Not loving him before, that is. I’ve tried to read The City and the City and Kraken and I ended up giving up on both books. I couldn’t get into them. The prose was beautiful and simultaneously felt entirely opaque to me.

And for once, this isn’t one I blame the author for. I feel like there’s some sort of inner disfunction that I have going, preventing me from really sinking into the story. I’m a bit lazy as a reader, sometimes, and I tend to give up on challenging things because I’d rather read about people shooting at each other after I’ve had a brain-melting day at work.

However.

I decided I was going to read Embassytown since it’s on the Hugo list, and I’m being a responsible voter. To be honest, I was dreading it a little, since I remember too well beating my head against The City and the City and feeling horribly guilty when I couldn’t do it. Then, when I was asking for audiobook recommendations so I’d have something to listen to on long rides and the amazing Janiece suggested Embassytown. I gave it a try.

Riding along at 18mph and sweating fit to die is apparently a place where I can stop wrestling with prose and just absorb it. I let the words wash over me while I’m building up a good burn, and they just are. It was wonderful, and I finally understand why people have such fabulous things to say about China Miéville’s books.

I’m thinking this might just be how China Miéville’s works are meant to be consumed, at least by me. I think I’ll try The City and the City once I run through my current set of books and see if I like it as much.

By the way? The actual book itself is very interesting. The aliens he came up with are utterly fascinating. There was a place or two where I could have done with a little less exposition, and some of the speechifying at the end went on a little for my tastes, but I found the characters compelling and the culture interesting. So I definitely recommend it. In audiobook format, of course.

Categories
rants sarcasm science fiction

Boy Fiction Versus Girl Fiction

A quote:

The true perversion, though, is the sense you get that all of this illicitness has been tossed in as a little something for the ladies, out of a justifiable fear, perhaps, that no woman alive would watch otherwise. While I do not doubt that there are women in the world who read books like Mr. Martin’s, I can honestly say that I have never met a single woman who has stood up in indignation at her book club and refused to read the latest from Lorrie Moore unless everyone agreed to “The Hobbit” first. “Game of Thrones” is boy fiction patronizingly turned out to reach the population’s other half.

(Emphasis added by me.)

Okay, so let me first admit that I should probably get my nerd card taken away, since I don’t give much of a crap about Game of Thrones, having not read the books yet since I’ve heard so many people whining about the series being unfinished and I don’t like to be left hanging. And at this point, so many people have been going on and on and on about it that I’m just kind of tired of hearing about it and the contrary little gremlin that lives somewhere around my pituitary gland is whispering, “Well if it’s that popular you don’t want anything to do with it anyway.”

So this has really nothing to do with Game of Thrones per se, but rather the mind-boggling stupidity that it’s brought out in some people. Namely the person that penned the above quote, in a NYT review.

Seriously, can we please dispense with this absolutely stupid notion of boy fiction and girl fiction already? Can we please let go of the tired, ridiculous notion that women don’t like things unless there’s like, sex and romance or some shit, because apparently we just don’t enjoy politics or watching people getting blown up or whatever?

I’m actually not even sure if Ms. Bellafante is saying that she thinks women couldn’t possibly like Game of Thrones if it weren’t for all the sexy-sexy time, or if she’s just saying that studio execs must believe that, or what. Though after reading the paragraph over and over, through the red haze of sheer annoyance I feel pretty sure that it’s a ridiculous statement any way you read it. And by the way, if we’re being stereotypical and sexist, isn’t lots of sex a boy thing? Because chicks just want relationships and romance and shit, and then all the subsequent sex is candle-lit and arty and there’s a mushy soundtrack with piano and lots of strings.

I could go on and on about just how many women I know who utterly love the book series and are excited about the TV series. I could also go on and on about how I got hooked on fantasy in general because my mom read The Hobbit to my brother and I when we were little kids. But I’m not.

My gripe is actually a lot more general. You know, from high school on I’ve been exposed to a lot of sneering comments about how, of the available nerd genres, fantasy is girl fiction and scifi is boy fiction because our pitiful ladybrains can’t handle all the science and guns and whatever in scifi. And now apparently fantasy isn’t girl fiction any more either, not unless it includes a sufficient quantity of mushy stuff to go with the violence, because our ladybrains just can’t enjoy anything if people aren’t frantically humping each other.

FFS, could you assholes make up your minds about what women are allowed to like? At this rate, I’m going to have to give up reading all together, and then I’ll apparently only be allowed to watch Jersey Shore or something similarly vacuous. At which point I intend to put a hole through my skull with my dad’s cordless power drill.

Or maybe we could just dispense with all the stupidly sexist generalization and – I admit this is a radical notion, but hang with me here – just let people like whatever the hell it is they like without linking it to their gender?

You’ll get my copy of Old Man’s War when you pry it from my cold, dead fingers.

Categories
science fiction writing

The Mid-vacation Post

So far, it’s been a nice visit to the UK, which is really no surprise to anyone. Christmas and Boxing Day were big family get togethers, which I enjoyed and only got a little drunk for. My jet lag problem is still present this year, though I think not nearly as obnoxious as it’s been in years past. I’ve had to take naps on a couple of days, and have had a little bit of insomnia, but not to the point that I’ve been up at 3 in the morning and completely unable to sleep like I have been in other years.

The weather in the UK has been just fine as far as I’m concerned. There’s been a lot of do about the temperature being below zero C, but I went for an hour and a half walk in it on Christmas morning while everyone else was at mass, and it was perfectly fine other than my ears getting cold since I forgot my hat back in the US. I think the bigger problem is just that the cold temperatures means the ice doesn’t melt, and I guess this part of the UK doesn’t know the wonders of car-destroying mag chloride the way we do in Colorado. I did have to avoid some terrifying icy sidewalks during my walk, to be sure. But other than that, it hasn’s been any kind of Snowmageddon. Yesterday when we got back from London (around 2200) it was actually raining fairly heavily, so that’s hopefully a sign that it’s getting a bit warmer and the ice will go away. We ended up taking a cab from the train station at Wokingham, since the line west of it was shut down and the rain was nasty enough we didn’t feel like waiting for the bus, or walking home once we caught said bus.

Speaking of Snowmageddon, we landed all right, but Heathrow has still apparently not gotten its shit together. Once we landed we had to park somewhere in the back of beyond for a good twenty minutes because there was nowhere for our plane to go, and then moved to a slightly less far away parking spot so that we could take buses to the terminal. Immigration was fast, but then we spent a stupid amount of time waiting for our luggage. I was also insanely thirsty the entire time, and there was nowhere to get anything to drink, though I could have apparently bought a SIM card from a vending machine if I wanted to. Maybe you can suck on those like mints. Anyway, our flight landed not long after 0900, and we didn’t get our luggage collected and get out of there until after 1100. There was also a frightening graveyard of lost and unclaimed baggage taking up one entire section of the claim, which did not inspire confidence.

It’s also worth noting that I didn’t get to sit next to Mike for most of the flight, since the television for his seat was broken, and they moved him to the only empty seat on the airplane so he had something to do. I mostly used the flight to catch up on movies… I watched Toy Story 3, which I thought was very good and don’t feel at all ashamed about sniffling through. I also watched The Sorcerer’s Apprentice. The funny thing is, when Mike and I met up after landing and were talking about the movies we watched, we could each name two of them and it took us forever to remember which one the third was. For both of us, it was that movie. Which I think pretty much says all you need to know about how utterly unremarkable it was as a film.

Yesterday Mike and I went in to London. I paid a quick visit to Harrod’s – the store was insanely busy, but everyone apparently just desperately wanted to buy perfume. After we got out of that section of the store it was just fine, and we were in and out in less than twenty minutes. After that we met up with Sam and Rick, and spent the rest of the day taking up space in a pub and playing board games. The game we started off with was Ticket to Ride, which was a lot of fun and I’m going to have to pick up a copy once my checking account stops crying about the furnace.

Oh yes, translation for any UK readers: by furnace, I mean boiler. Even though it has nothing to do with boiling water. I do not in fact own any sort of smelting equipment. This announcement brought to you by Mike’s parents, who found that particular vocabulary mix-up very entertaining.

The Doctor Who Christmas special was pretty good, I think. I wouldn’t place it higher than the first Christmas Invasion, or even the Runaway Bride, but I definitely liked it better than the silly episode with the space Titanic, or the one from two years ago that was kind of about the cyberman and all it really had going was a lovely steampunkish Victorian setting. I’d say this one was as close at Doctor Who’s really gotten to just out and out producing a fable, and while it had the normal plot holes that you could drive a truck through, it at least had a lot more life in it than the last couple of episodes I’ve seen. (Which were, for the record, Victory of the Daleks and The Adventures of Spitty Timothy Dalton as the Most Underused Rassilon Imageinable [not its actual title].) Really, considering that I feel like the entire episode was based around someone saying, “I’ve got this awesome mental image of a shark flying through the air, pulling a rickshaw… let’s combine that with Christmas!” the end result was surprisingly coherent and fun. It’s also convinced me to give Matt Smith another chance as the Doctor… considering my first exposure to him was the underwhelmingly written turd of a Dalek episode from his season, he really needed something to recommend him.

I think a some point I may have to devote a post to how I feel about the way the Daleks have been used in recent episodes. It won’t be a very nice post.

Today Mike and I are headed off to Brighton to see Sam and Dan and Rhi and hopefully Captain Stu, so that’s exciting. It’s hard to believe we’re already at the midpoint of our trip, though this one’s a few days shorter than trips we’ve taken in the past, since Mike ran out of vacation. Something to do with a wedding.

Also, Anotherealm has now published its 2011 lineup. Transportation will be the September offering – I’m really excited about that!

Categories
science fiction TAM

Leave My Elves Out of This

NOTE: This is a time travel entry – it comes from the past! I just got around to posting it today.

I am at TAM still as I write this, though it won’t be posted until I get home since I am, you could say, highly skeptical of the South Point Hotel’s claim that a day of internet access is worth a thirteen dollar fee. So hello from the past, I’m having a lot of fun and hope you are as well.

We just got done watching DJ Grothe interview Richard Dawkins. For the most part I found the discussion quite fascinating, and I really liked the interview format. It meant that DJ got to be a little combative (but not hostile, mind you) and force Dr. Dawkins to clarify some of his points. Generally, it was fun and very interesting.

There was one point where I got a bit riled, however. DJ mentioned an interview that Dr. Dawkins had done yesterday, where he had something to say about fantasy literature. Basically, Dr. Dawkins said that he thinks (though by the time DJ had thrown a couple “hey now, you realize that I’m a giant nerd” salvos his way, he’d backed down to “I wonder if…”) that fiction involving “profligate” magic contributes to children being credulous and thus more susceptible to religion. And he basically came down against fantastical fiction that was not exceptionally hard science fiction.

As someone whose hobby is writing fantasy and speculative fiction, you can imagine I had a rather negative reaction to that statement. Because some day I would like to make some money off of this hobby (not that I’m going to stop writing if I don’t) and no one likes to be pointed at as a possible source of mental decay among children.

I tried to ask a question at the end of the interview, and didn’t get to. Then, while waiting for the elevator and complaining bitterly to my dear friend Micah about this terrible injustice to the fantasy nerds of the world, Micah pointed out that Dr. Dawkins was standing right behind me. I had a moment of utter panic, where I tried to justify just slinking quietly away and saving my cranky point for when I could expand it to a work of total and passive aggressive blog spew. I didn’t want to be that person, however. Somehow I found the courage to walk over to Dr. Dawkins and say, as nearly as I can remember it:

“Dr. Dawkins, I would like to make a point as a writer of fantasy and speculative fiction. Have you considered that if you read these sorts of stories, you might be less likely to accept religion. Because sure, Jesus can turn water into wine, but Harry Potter can kill you dead with two words.”

And then he smiled politely and escaped down the hall, though I’m pretty sure I did speak clearly and loudly enough to be heard. I did not pursue, as he looked rather harried and I didn’t want to be one of Those People.

That done, I now feel like I can engage in some passive-aggressive blog spew, guilt free.

There are a lot of factors coming in to why that particular statement – which likely would have been a throw-away if DJ Grothe weren’t a proud Nerd-American – really set me off. For one, I already get a bit snippy when it comes to privileging science fiction (hard sci fi particularly) over fantasy. It’s an old, old argument and one that can probably raise the blood pressure of anyone that’s spent any amount of time in the fan communities. Suffice to say that I fall on the side of fantasy/scifi-ish spec fic simply because I already live in a universe with our laws of physics, and if I’m going to escape into a book, I’d be quite charmed if the laws of physics wouldn’t read over my shoulder for five minutes because damnit, I happen to like elves. I am well aware of the beauty, majesty, and wonder inherent in the natural world. I am a geologist, and for a reason. But if I want to read a book about elves, I’m going to read a book about elves, and the majesty of the natural world can damnwell amuse itself for ten minutes while I willingly suspend my disbelief.

I also don’t take kindly to people looking down on my hobbies. I don’t think anyone does. And while I’d never claim that most of what I read is “great” fiction (however you define THAT) I take real exception to the notice that reading fiction rots one’s brain in any way. Particularly when my next best option is watching an episode of Lockdown on MSNBC1.

But Rachael, you say – you, of course, being the voice of an actual reasonable person in my head – he’s not talking about you. He’s talking about kids. Sure, fine. I’ve been reading fantasy since I could read. I grew up on books that had pictures of unicorns on the cover. My mother read The Hobbit and the entire Lord of the Rings trilogy to my brother and I when we were little, and I don’t think she did it in order to make us more credulous. At least I sure hope not.

I can almost – almost – see where Dr. Dawkins is something from. Almost. If I try really hard, I can imagine what it might be like if a child were given nothing but fantasy works and then allowed to read them in a complete analytical vacuum. A negative effect in that case is perhaps plausible. And I will also be the first to admit that I am not a psychologist, and I have not researched this topic. But there are several reasons beyond my knee-jerk moment of temper that I find this idea highly suspect.

  • There seems to be an assumption that the parent/guardian of the child would actively encourage them to think of the fantasy world as one as real as our own. There may be parents like this out there. I wouldn’t know. But I doubt it’s the majority. I would wager that just about any parent, their child frightened by something that happened in a fairy tale2, would then assure the child that it’s only a story, that the frightening thing is not real.

    And supposing there is a parent who either actively encourages a child to blur the line between fantasy and reality or simply remains completely uninvolved in their child’s developing relationship to literature. Is it then the fault of the fiction the child reads, or the fault of terrible parenting if that child eventually becomes a very credulous adult who is willing to believe in magic? Do we expect that such children would become serial killers if they were fed a steady diet of horror and true crime stories rather than sword and sorcery fantasy? Would science fiction (of the Richard Dawkins approved variety) cause such children to be more grounded in reality if they’re reading things that couple reasonable physics with, say, aliens?

  • Even in the complete absence of parent input, children are quite capable of observing, on their own, that the laws of the fantasy world do not work. Particularly when we are talking, as Dr. Dawkins did, of “profligate” magic, where its existence is intrinsic in the world and its use is simple and matter-of-fact within the story. No matter how hard you pretend that bit of wood is a magic wand, it’s still not going to turn your annoying little brother a dog. No matter how many frogs you chase down in the swamp, none of them turn into princes. And so on. One wonders if this is actually a case for skepticism, since after the fourth time you jump off the back of the couch and do not, in fact, fly even after your best friend SWORE that was fairy dust, you may well start wondering if you were a bit hasty to believe the claims of that Peter Pan person.

    Children also believe in Santa Claus because we tell them that he is real and then deliberately provide evidence that he is real as well – even evidence as simple as presents with a “From: Santa Claus” tag on them and an empty plate with a few crumbs on it, left from when Santa supposedly ate those cookies. If given absolutely no corroborating evidence, how long would a child continue to believe in the myth of Santa Claus, particularly when exposed to peers who are eager to disabuse them of such a babyish notion?

  • As a personal observation, as far back as I can remember, I was very well acquainted with the difference between pretend and reality. When I pretended to be a tiger, I knew very well that I was not actually a tiger. When I pretended there was magic, I knew very well that it didn’t exist. There may very well be some children that simply cannot tell the two apart after they’ve hit a certain age. I would daresay that those children likely require psychiatric intervention.
  • Consider the Christian Literature industry. In the book Rapture Ready, Daniel Radosh points out that there is a lot of general Christian fiction and romance, but not a whole lot of sci fi/fantasy. There’s also the point that there are fundamentalists of many stripes that think Harry Potter and Dungeons and Dragons are of the devil. Why is this? Are they frightened of a fantastic tale that posits miraculous powers that do not come from their god? Is there some latent fear that fantastical fiction that doesn’t have a religious bent to it may actually negatively effect someone’s beliefs somehow, particularly since these books often utilize elaborate (and completely made up) religious systems? I can’t say for sure, but I think this is a point that really ought to be considered.
  • From what I’ve observed in regards to children growing up Christian – particularly in the more fundamentalist sense of the world – they’re often completely inundated with the Bible, told repeatedly that it is without a doubt true. Rather than picture books of fairy tales, these children often read picture books of Bible stories. I’m really forced to wonder if this constant reinforcement of “No, THESE stories are real” is what is necessary to convince children that they ought to believe them. I rather doubt any parent treats fantasy stories like this.
  • One might point out that it’s not too hard to find people in the scifi/fantasy nerd culture that have some very credulous beliefs. I don’t particularly buy this as proof. Is the rate of credulous belief in these communities greater or smaller than in other groups that form around common interests? And even if that ends up being the case, we are often fond of saying that correlation does not necessarily mean causation. Does fantasy fiction encourage credulity, or do credulous individuals enjoy fantasy fiction because they are already prone to a plethora of irrational beliefs and the stories feed in to those beliefs?
  • I posit that it is just as likely that if you are well versed in fantastical fiction – and also well aware that there is a solid difference between fantasy and reality – it may actually make it a little harder to believe in religious stories. If you read Lord of the Rings and understand its complete and beautiful mythology AND also know that something so complete and detailed was created by one man, I wonder if that would make you just a little skeptical of other complete and beautiful mythologies, written down by human beings – even if you’ve been told that they’re actually true.

    I am not going to get ridiculous here and trumpet the super awesomeness of fantasy or speculative fiction as reading material. We all have our own tastes and our own reasons for reading what we do, and we all gain a certain something from what we read, or we wouldn’t be reading it. Some of us (and from a tender age) need a little break from reality now and then, and we’re comfortable with the idea that reality will be waiting for us right where we left it once we emerged. I suppose you could argue “garbage in, garbage out,” but I’ll say this. There’s certainly worse garbage out there than elves.

    1 – No, really, what is with this show? It’s completely awful and without merit – it’s basically like Convict Zoo or something – and yet I can’t look away. I’m very worried what this might say about me as a person.

    2 – And here I mean “fictional story that the parent believes is only a story.” Just to be clear.