Categories
movie

The Bourne _____________

Jason Bourne is in a foreign country doing things that guys do when they have manpain. He just wants to be left alone. Then a shadowy part of the US government, headed by [old white guy] decides to do something sketchy that sets up the overly convoluted B-plot and also decides that this time he is going to get Jason Bourne. [competent female character] who assisted Bourne in the previous movie, has something important to tell him. Just then a government hit squad shows up and chases Bourne and [competent female character] through [country that has been in the news recently enough that American audiences might recognize it]. Bourne is about to get away before the government spooks kill [competent female character] in front of him.

Now Jason Bourne is really peeved. Bourne embarks on a path of revenge and self-discovery in which he cleverly avoids the shadowy government agents while the familiar score by John Powell and David Buckley plays. [new competent female character], a government agent introduced slightly earlier in the movie as helping out [old white guy], gets put in charge of running the op to capture Bourne. Because gosh darnit, this time they are going to get Bourne to come in. For really reals.

Some stuff happens with the B-plot, which involves [current buzzwords such as “social media” and “privacy” or maybe “kale”]. No one really cares, because the B-plot is overly complex and poorly explained, and really just exists to get [old white guy] into a position where Bourne can foil his plot, confront him, and then shoot him.

Afterwards, Bourne finds out a little bit more about his past and gets in a fight with [agent from yet another secret government program that no one has heard of before now], who wants to murder Bourne because he has been ordered to do so and also maybe because murdering Jason Bourne sounds like a great way to spend an evening. There is an extended car chase, things blow up, and Jason Bourne limps away with his newly acquired [information about his past that is still not quite enough] while his opponent does not.

[new competent female character] attempts to contact him, and Bourne lets her know that he has been stalking her, only it’s cool instead of creepy because he’s an ex-spook rather than a sexual predator, and that he would really please like to be left alone this time. Or else. He means it.

A new remix of Moby’s Extreme Ways starts to play. Roll credits.

Categories
movie

[Movie] Arrival

I’m still trying to figure out how to tell you about Arrival. What I can say other than it’s a movie that made me laugh with sheer delight as the plot came together, and then cry because at the end of a really awful week (election week) it made me feel hope for humanity. You really ought to see it.

But it’s hard for me to tell you in more detail what I liked about Arrival without seriously spoiling the plot, and it’s one where I want you to go into it unspoiled. I want you to have that same moment I did, when you realize where things are going, and it just makes you happy.

So what can I tell you?

The movie is absolutely gorgeous, for one. The shot where you first get a real look at the alien ship as it floats over the clouds in Montana is majestic and eerie. It’s not an effects/action extravaganza – a rare thing for scifi films these days, it feels like – but what they have is so well done. The moment where the characters go from Earth gravity to the strange, tilted gravity of the ship is eerie as well, an unexpected shift of perception.

Really, the inverted gravity of the alien ship rolls in with the plot, the shifting narrative to show the necessity of changing how we look at and understand the events of the film. The main character of the film, Louise (Amy Adams) is a linguist, so she’s very concerned with what is said versus what is understood, bridging perceptions. The explanations of what she does and why (such as why building a mutual vocabulary using written language is better than with spoken) are all fascinating – particularly to someone who isn’t very familiar with linguistics.

I also genuinely liked the character Donnelly, played by Jeremy Renner in a rare role where wears glasses to let us all know he’s an intellectual. Donnelly starts out as very cocky and sure of himself, but once Louise convinces him that communication is key and the best approach isn’t mathematical, he throws himself behind her efforts one hundred percent. It’s a character dynamic that’s particularly rare considering the gender split, and very enjoyable for that reason.

One of the main questions of the film is how humanity will deal with the arrival of aliens, a generally peaceful first contact. Will we come together, or will it tear us apart around already existent fault lines? The only fault that I can really find with the film is that after building up an intense and complicated international situation, the third act solution is a little too simple, a little too pat. The time travel bit of the story has the same sort of problems that many time travel plots have, which is that in the moment, it’s delightful, and then later as you think about it, the problems of a deterministic universe become apparent.

Of course, it’s a film that asks a lot more questions, about relationships, about what sort of journey makes the consequences worth it – about if you had a chance to do everything differently, would you still live the same life, even knowing how it all ends? These are all big, crunchy, human questions, and it explores them beautifully.

Full disclosure, I haven’t read the Ted Chiang story that the move is adapted from, Story of Your Life. After what I’ve heard from my fellow podcast hosts on Skiffy and Fanty, it’s definitely on my list.

If you need a beautiful, hopeful film, one that reminds you scifi film can be something other than explodey or tinged with existential horror, see Arrival. It’s probably the most thoughtful film scifi I’ve seen since Her.

Categories
writing writing news

For I have written a novel

I kept meaning to talk about this earlier, but thanks to the ongoing dumpster fire that is everything to do with America right now, I haven’t been able to get the necessary enthusiasm levels going. (And yes, it’s petty in the face of all other things, but thanks a fucking bunch, Trump voters, for ruining both my BFF Mike’s birthday and my book announcement day.)

So. DO OVER. The dumpster fire still burns, but I am carving out a place to be happy and excited about the fact that I have written a novel, and a publisher liked it so much that they bought said novel from me, with actual money, and will subsequently be printing it on thin sheets made from the corpses of trees and sending it out into the world.

And the cover? IS AWESOME.

hunger makes the wolf cover

(And yes, Alex Wells is me. Written under a pen name for reasons I shall explain some other time.)

It’s a book about underdogs fighting corporate greed in the place of a weak and absent government. It’s about a fledgling labor union. There’s also gunfights and space witches, so I’d like to think there’s something for everyone who wants to take down the man. And I wrote the rough draft of it many years ago.

If you regularly read my short stories, you’ve already met the woman on the cover. That’s Hob Ravani, and her origin story made an appearance in Mothership Zeta.

I’m so excited about this, and I can’t wait til you guys get a chance to read it!

Categories
lgbt personal

Let this be my act of defiance.

Let me start with a geology story. I promise, there’s a point to this.

When I was a geologist at the research company, I had a core come in. There was a ten foot section of it that I didn’t know how to describe. It was fine-grained, filled with burrows. So far so good. But the mineralogy was… puzzling. Not enough dolomite to be described as a dolostone, not enough clay to be described as a mudrock, not enough quartz sand and silt to be described as some kind of sandstone or siltstone. It sat basically at the nexus of all possible rock types for that environment and was definitively none of them. In absolute frustration, I dubbed it “shit rock” and wrote all my reports and captions accordingly.

Of course, this is a business. I couldn’t actually turn in reports to the client with the term “shit rock” used. So I had a long talk with my boss. The problem with geology, he explained, is that everything we work on is a continuum. So there will always be something that falls in that liminal state where you’re not quite sure what it is, and even if you wanted to do battle with the rest of the community to coin a new term, you’d just be replacing one borderland with two. You can write definitions all day that will define 99.999% of all the rocks out there, but then some son of a bitch is going to come in with the 0.001% case because there are a lot of rocks on Earth, and one in a million things happen more often then any of us can grasp.

There will always be rocks that defy easy classification. You eventually just have to dip your toe into the art rather than science and describe it how you feel fits best – and then be ready to defend your decision.

Which comes to me. A little while ago on Twitter, I said:

And then while I was taking a shower, because all my most important thinking happens in the shower or when I’m supposed to be trying to fall asleep, I realized that it was an empty thing to say without the rest of this post.

I’ve been nibbling at the edges of this for a while, trying to figure things out. But maybe it’s the scientist in me, I don’t like committing to anything unless I’m absolutely certain – and the thing about life is that absolute certainty is in shorter supply than most people would like to believe. Because what if I’m wrong? How do I defend something that I’m still figuring out? But I don’t feel like I have the luxury of wibbling quietly into the night any more.

Because you see, in this way, gender’s got something in common with geology. Everything works on a continuum. You will always find cases that defy classification, and no matter how frustrating that is, they don’t go away. And that is part of the beauty of the world, trust me.

So how do I define myself? Queer, for certain. Sometimes it’s easier to tell people what a rock – or yourself – isn’t than what it is. I’m not female. I don’t quite think I’m male either, but I’d have to give it a good few years try out before I could say for certain. Fuck knows, it’s taken me something like 34 years to figure out the “not female” bit, but GOD it has been a relief since I reached that conclusion. So my big request here is to please use a gender-neutral pronoun (they) if possible. Or if you just can’t make that work in your brain, because I know the verb conjugation gives people mental cramp at times, masculine (he).

And please, call me Alex. It started out as… not a joke, precisely, when I came up with my pen name. But it’s grown on me, like a much more comfortable skin.

But there’s a point to this, and it’s not just me sitting at my keyboard and crying. I’ve been doing that too often in the last forty-eight hours.

When I was a baby queer growing up surrounded by kids and adults who thought “smear the queer” was a perfectly acceptable name for a game that involved throwing balls at other people so hard it gave them bruises (and I was one of those kids, because at the time I didn’t know better), it was invaluable to me when I started seeing LGBT people openly be themselves. It told me that there were more options that I knew, that maybe I didn’t have to keep trying to jam myself into a mold I didn’t fit, and I could be happy.

Since the election yesterday, there’s already been countless stories of racism, sexism, and homophobia being flung at people with renewed abandon. I live in a place where it’s relatively safe – swing state turned pretty reliably blue state Colorado, in the Denver-Boulder area – to be out. So I think that I need to be as out as possible even if I’m not entirely happy with my R-squared values, because now more than ever it’s important to make it known that we exist. That we will not go away. That people who are like me, who live in environments where they are not safe, are not alone even if they can only hold that truth silently in their heart.

Sometimes, merely living, existing, is an act of defiance, denying the narrative that we are fictional, or merely confused, or unhappy, or intrinsically broken.

Let this be my act of defiance. Let this be the first of many.

– Alex

Categories
movie

[Movie] Vice

I made it my goal to watch and review one new movie per week, so I wouldn’t have a recurrence of the complete lack of any content I had in September and October. Of course, little did I know that my first weekend post-goal setting would be November 4 & 5, which offered up a smorgasbord of movies I could not even give less of a shit about (pack led by Jack Reacher) with a seasoning of movies I refuse to watch – let alone give any money to – on the principle of the thing. (I’m looking at yo, Dr. Strange and The Accountant.)

HBO Now came to my rescue. I have cable for internet but don’t actually have it for TV, but my household decided that each of us ponying up $5 a month was worth getting access to HBO. I wanted it for the Westworld TV show, since I watched the movie last month for my Patreon subscribers and thought it had some really interesting concepts. I’ve watched the first episode now and I’m really excited to see more. I’m going to try to find the time to write about the episodes as I go, I think.

But anyway, this week’s movie.

Vice is a super expensive resort populated by androids (in this world, called cydroids for reasons I never really figured out) who get their memories reset every 24 hours. The patrons of the resort are invited to do anything they want to the androids. And then things go haywire, when one android goes rogue.

Familiar, right? More Westworld TV show than movie, since it’s not about a theme park eating its patrons. And rather than an old west theme park, Vice is deliberately a setting that’s contemporary to the world in which it resides. The movie actually opens with two patrons doing a bank robbery – it’s pretty clearly supposed to be live action GTA, including all the violence against women. With that setting, there’s a little bit of commentary on society. The cop Roy (Thomas Jane) talks about how people practice to commit crimes in Vice and then do them in the real world, particularly violent crimes against women. And it’s explicitly stated that the resort can really do what it wants because it brings in about half the city’s tax revenue. Now there’s a societal implication that could have had some real meat on it.

But the focus instead is on the android Kelly (Ambyr Childers), who through a glitch is able to remember at least portions of her supposedly erased past, most of it involving being murdered by various guests. She escapes, and then there’s a lot of action scenes, because Vice wants its rogue android back, and Kelly, with a few others, wants to take the resort down.

When I explain the plot like that, it sounds like a decently fun movie, right? The problem is that there isn’t much to either of the main characters to care about. Roy is weirdly greasy and incredibly unappealing. I kept waiting on the reveal for his traumatic past (lost his wife, maybe?) that would tell use why he constantly looked like he’d just come off a month-long bender. It never happened. He’s a cipher, whose motivations, while explained, feel extremely thin.

Of course, he still gets better treatment in the script than Kelly. Despite the fact that her supposed gain of self awareness is the turning point of the plot, Kelly herself is functionally a football that various male characters pass around to move things forward. She gets about five seconds of apparent change from a passive to active character, development that is completely unearned by the lack of something even as simple as a goddamn montage, and entirely indicated by her  slicking her hair back and dressing in black leather. Set as it is against a backdrop of constant violence against women and a camera that is remarkably male gaze-y even for an action movie, it’s even more troubling.

If Vice had spent more time on plot and character and less time on its interminable, too-dark, and thoroughly generic gunfights, it might have been a decent film. Maybe. If it had also employed someone on the creative team actually, I don’t know, talking to a female human being for five minutes so that they would realize women are more than sexy robot lamps.

Categories
personal

(Personal) Wish List

My birthday is coming up, as is Christmas. As usual, putting this here for ease of reference for people close enough to me to want to throw a gift tied to a brick through my window.

Everyone else, carry on, nothing to see here.

In order of how desperately I need the thing:

  1. 2.5″ metal collar stays (eg: these, though I’m not sure what the length is here)
  2. Doc Martens For Life, black mens size 7 (my original black Docs are falling apart)
  3. Rockport cap toe oxfords, black, size 7 1/2 (current pair also falling apart)
  4. iTunes gift cards / send me books on Audible so I have things to listen to while I drive all over Denver for work
  5. Starbucks gift cards since I seem to be haunting Starbucks a lot during my breaks
  6. Subscription to Vanity Fair
  7. Subscription to Teen Vogue
  8. Pocket watch chain
  9. NOOK Glowlight Plus
  10. Sunbreaker T-shirt, size mens large
  11. Travel (tea) mug 
  12. Blue Yeti Microphone
  13. CycleOps Magneto | Leveling Block
Categories
movie

[Movie] The Magnificant Seven (2016)

I can’t begin to tell you how sorry I am that I’m only just now going to tell you how fucking amazing the new The Magnificent Seven movie is. Because it is fucking amazing. If it’s still showing in your area, you should go see it while you still can.

Though I will add one important caveat: go in with the clear knowledge that this movie is a Western, and keeps with some of the very classic motifs. (Which is a remarkable and beautiful, multilayered thing when you consider it’s based on Kurosawa’s classic Seven Samurai, translated to a different era, a different genre.) The villain (Peter Sarsgaard as Bartholomew Bogue) is a scenery-chewing, cartoonish capitalist-as-black-hat. The heroes are super stoic and the character development isn’t exactly deep. It’s all about men (and a single woman) with guns, shooting their way to justice. There are some wonderful revisionist elements called forth by the casting, but it still plays to trope.

So basically, if you don’t like westerns, you’re not going to like this movie, even though it’s wonderful.

Weeks after watching the movie, when I’m having to check my notes to remember details I liked or didn’t, there are certain things that stick with me. One, it’s absolutely gorgeous. Antoine Fuqua draws out the rugged beauty of the Western landscape with breathtaking detail, including location shots in the Valles Caldera in New Mexico. It’s landscape porn at its finest. But even when the camera isn’t making love to he scrubby desert, so much detail in the shots of the people is perfect. The opening credits of the man in black (Denzel Washington and his glorious sideburns playing Chisolm) approaching through the wavering heat of the desert gave me chills.

But beyond all that stark beauty, it’s the casting that really hit me. Denzel Washington is amazing as the Chisolm, the marshal who has his own reasons for going into this fight. Byung-hun Lee as Billy Rocks stole every scene he was in. Faraday (Chris Pratt) and Vasquez (Manuel Garcia-Rulfo) better have a serious amount of fanfiction about them on AO3 or I’m going to question fandom’s dedication to slash. And Martin Sensmeier as Red Harvest stole every scene that Byung-hun Lee hadn’t gotten to first and brought a massive amount of depth to a character who said the least out of all seven.

Basically, they were all wonderful. And the act of casting so many men of color (four out of the seven) is one of the greatest revisionist acts of this version of The Magnificent Seven. It’s hopefully not a surprise to you at this point to hear that the classic Hollywood vision of the west is incredibly whitewashed, even just looking at the percentage of cowboys who were black or Hispanic. And that all four of the non-white characters are so integral to the story—the team up literally would not have happened without Chisolm at the helm, for example—shows Fuqua’s vision of creating a Western everyone can see themselves in.

(Well, everyone male, at least.)

Come for the landscapes, stay for the fucking amazing gunfights and Denzel Washington’s sideburns. You won’t be sorry.

And SPOILERS

Categories
personal

Has it really been almost a month?

I look away for five minutes, and suddenly it’s been almost a month since I posted anything in my blog. Well, hi guys. I’m still alive. To be honest, I can’t say I’m having that much fun with it, though.

Basically, I’m deep in the pit of home renovation hell. Every time I walk into my house, I swear to god that more things are wrong with it. I spent three hours today sanding shitty paint off a windowsill. Why? Because I’ve lost my goddamn mind. At least that’s my assumption. My house is a disaster area that has exactly 33% of a floor, and the rest is composed of broken 1970s tile, tack strips, killz sealer, and chthonic evil.

I’m also, since we’re being honest here (just between you and me, right?) a giant ball of stress because my inbox is full of emails letting me now that my qualifications as a geologist are great and I should feel totally proud of myself, but I’m not in the top pool of candidates, so fuck off. This is what happens when the industry a lot of geologists depend on is in a bust cycle. It sucks. I’m on my last three weeks of unemployment, so if you hear a high-pitched noise emanating from the vicinity of the Colorado Rocky Mountains, it’s just the sound of my skyrocketing blood pressure.

That said, I’ve still got my health. I’ll be in Dallas this coming weekend for FenCon, and on the way back I’ll be picking up my cats and bringing them back to Denver, finally. I have great, amazing, supportive friends. Friends who still love me even after helping me install ceiling fans or moving closet door tracks. Friends who buy me stress tacos when I tell them that I’m really thinking about just setting my house on fire and riding my bike to Mexico, because that sounds like an excellent alternative to having to spackle another fucking wall.

I love you guys. Really and truly. I don’t know why the hell any of you are friends with me any more, but I appreciate it.

I’m going to try to have some things to say in the new future (about certain problems I’ve noticed while scrounging for freelance work, about the joys of double-paned windows), but it kind of depends on how much more of my soul my house eats as to when that’ll be. Normal service should resume around the beginning of October, since that’s when there will be floor in my house again and I can get my furniture out of hock.

In the meantime, if you see a wild-eyed, spackle-covered ginger wandering the roads near you, don’t be afraid. Just give me a beer and point me back towards home. It’ll be okay.

Categories
worldcon

Falling Out of Love With EPH

In 2015, I was pretty clearly on the EPH train. I sure did vote for its passage. And now it’s 2016, and I’m tweeting out stuff like this:

So yeah, I am not surprised that got some confused reactions.

To be perfectly frank, this year I voted with the minority against ratification of EPH. I’m not going to claim that the passage of EPH is going to Destroy Life As We Know It And The Cats And Dogs Will Play Shuffleboard Together. I am not upset that it passed. But I’m no longer convinced that it’s the great solution I thought it was in 2015, because I’ve been doing a lot of listening and thinking.

First of all, we had some data to look at with how EPH would have processed this year and previous years.

  • It’s become very obvious that EPH isn’t the silver bullet that will slay all slating that I think a lot of us convinced ourselves it was. For the most part, it would have only made a 1-2 nominee difference in this year’s categories, and a weaker difference in 2015, which seems very counterintuitive considering the slating was much stronger last year. (This year there were actually more nominating ballots than final voting ballots, which is weird.) So yes, it’s better to have one or two “genuine” nominees in a category than none at all. But having categories that are still composed mostly of shit is really not a workable long-term solution.
  • I’m extremely concerned how EPH will affect the dramatic presentation categories, which were not included in the report on Sunday just because they were such an unholy mess to figure out. But one point we can’t ignore is that for those categories, there’s so much less on offer that people are likely to cluster around certain works in ways that will act as a natural slate—and considering that this is all about trying to stop the deliberate manipulation by the shitbag faction of the fandom, I don’t think it’s fair that the organic growth of something that would appear slate-like to the un-nuanced eye of an algorithm be treated in the same way.
  • Looking at the previous year’s data, EPH would have eliminated one of the Hugo winners from 2014. In the meeting, Dave mentioned this as something of a surprising aberration. And if it’s a thing that only happens once, good. But I find myself very concerned that similar unintended consequences could happen. The rule should really be first do no harm, here.

After talking to a lot of people and listening, I’ve also got some concerns about how EPH as a system will affect voter confidence in the process.

  • It’s still damn complicated. Yes, I’m aware that you can boil an explanation of EPH down to a single powerpoint slide. And if you grasp it well enough to explain it from that slide, good for you. I know I can’t, and I rarely have a powerpoint at hand when this comes up in conversation. I don’t think this is terribly good when it comes to trying to promote participation in the process. (Seriously, it’s hard enough to explain how the ranking works for the final voting.)
  • And considering all the points above? If I’m concerned and I’m among the group of high information voters when it comes to the mechanics, how is someone who hasn’t gotten to go through the all the presentations and question times and the like going to feel?
  • EPH is effectively a black box. It doesn’t really allow for simple hand verification. That doesn’t help efforts at transparency, which is the number one thing that encourages people to have any kind of faith in the system. And let’s not forget the conspiracy-mongering, just-repeat-something-until-it’s-true shitbag that made all this necessary. It’s not that I give a crap one about actual comic book villain Theodore Beale’s good opinion, but the less transparent something is, the easier it is to make up things about it.

I’ve become a convert to the Three Stage Voting proposal. We get told again and again that the practice has always been to leave it to the voters and have faith in them. And we’ve seen over the last two years that the voters as a whole have definite opinions about people who try to manipulate them, the system, and their beloved award. So I’m willing to have faith that the voters can decide in a semifinal if they think someone doesn’t have any business being one the final ballot with a purely up or down vote.

That said, I think we’re going to be fine. EPH has been amended so that it can be easily suspended for a year by the business meeting if there’s something going really haywire with it. We’ll see what 2017 brings.

By the way, Cheryl Morgan has written a good post that covers this and other WSFS stuff. You should read it.

Categories
worldcon

[WorldCon] WSFS Business Meeting #3 Summary

Greetings from the McDonald’s in Russell, Kansas. Writing a summary whilst eating chicken mcnuggets. As you do. Today was the final business meeting, which was one hell of a ride. You can get granular detail of The Amazing Adventures of the Committee of the Whole from the liveblog.

NOTE: I will be referring to all amendments by their working titles. If you want to know the substance of these, refer to the WSFS agenda linked to from this page. Or I have my quick and dirty readings of them here, with some helpful clarifications provided by people in the comments.

There was a lot of arcane Roberts Rules of verbal fisticuffs shit that went on today that is best left to the complete liveblog. Here’s the highlights:

  • Three Stage Voting started the day. The amended language that was sent to committee yesterday was reported back, then defeated. The amendment is voted on with its original language, passes, and will be up for ratification in Helsinki.
  • The rules are suspended with unanimous consent to re-form the YA committee with all the same people, just a different chairperson.
  • A clause is added to EPH to allow the WSFS business meetings each year to vote to suspend it, if so chosen. Due to debate time running out, we went into first a question time with Mr McCarty and Mr Quinn, and then a committee of the whole so we could discuss the issue in more detail. EPH was then ratified and will take effect next year.
    • A resolution was passed to request that the Hugo Administrators provide the meeting data next year about what the ballot would have looked like without EPH so we can compare. Note that this is a request, because we don’t actually get to tell the administrators what to do.
    • Shit got intense here, people.
  • I named my newly-evolved Electrode Mr Dashoff because I’m pretty sure the chair was making that exact face at several points.
  • 4 and 6 is amended to become 5 and 6 instead at the request of its author. This means that everyone will get to make five nominations, and six slots will be on the ballot for finalists. The new 5 and 6 then passes.
  • EPH+ passes with shocking speed considering the incredibly labyrinthine state of the rest of the morning, and will be up for ratification in Helsinki.
  • We adjourned with 12 minutes to spare, if you can believe it. I still don’t.

And that’s it for this year, guys! Tomorrow, assuming I can brain things, I will be writing a blog post to explain this tweet. My feelings on EPH have… shifted.

Previous days: