Categories
locally hosted story writing

[Story] Silver Fish

This story was originally published in Lakeside Circus in 2016. As the Lakeside Circus website seems to be down long-term, I’m going to go ahead and repost is here on my blog so it’s still available to be read.

Note that this is the original as-submitted version of the story. I think there were a few edits made to it before it was published, but I seem to have lost that file.

Silver Fish

Josh wiggled his fingers in the moonlight, pale and graceful, and imagined them as fingerlings in the river, sliding through the currents. Under his bed, something buzzed like an angry bee.

Silvery fish flowed in through the open window, large as dobermans, blue moonlight glittering from flat eyes and scaled, underslung jaws.

Josh pulled his quilt up over his nose, afraid to breathe, heart thumping in his chest. Fish had no ears, right? They had teeth; he saw them, glittering triangles. Their fins waved slowly like the air had become water, too thick for lungs to hold.

The buzz sounded again from under his bed, like a cell phone vibrating over carpet but much lower, an angry growl.

It had to be the box.

The night before he had woken from a dream of running, running down a mountainside like Indiana Jones, a carved wooden box tucked under one arm, stolen from a temple where sylphs danced and men with long beards and longer knives scattered sand in great handfuls.

The box stayed in his arms when he woke, a creaky puzzle of mahogany that read like a story under his fingertips. He smashed it open with a hammer when he couldn’t decipher its knots and whorls, overeager to find within it the content of his dreams. The inside was lined with midnight blue velvet, cradling the silver shard of a mirror that twisted rather than reflected his face, showing his nose eating his cheeks one second and shrunk to a pinpoint the next.

Josh had shoved the mirror back into the gaping hole of the box’s lid, then rolled the mess up in a tattered green army surplus blanket normally reserved for picnics and hidden it under his bed like a shameful secret. He’d hidden other secrets there before, the results of pranks: stolen pencil cases and Lana Douglas’s pigtail, cut off with a pen knife.

From under the bed, the box snarled, insistent and angry.

Startled, the fish whipped in the air, flicking their fins and streaming back out into the night.

snap and crash and slam, doors up an down the block opened. “What the hell are those?” a man shouted. More people screamed in a wordless cacophony, high and discordant and then crunch. One less scream.

He knew that crunch. He’d hit Jeffery’s little sister’s bunny with his go cart, and accident, and it had made that sound. It had made him sick. He never wanted to hear that sound again, but it still echoed in his ears.

The cool night air gnawed his bare legs as he twisted free of his quilt. Josh’s shaking fingers found the rough blanket and he pulled the box from under his bed. Shards of wood scattered across the floor, too complex a puzzle to be solved with the roll of duct tape his father kept next to the hammer.

Josh reached for the warped mirror, and saw the way it twisted his fingers into lithe silver fish in the moonlight. That had to be the answer, then; the mirror turned what it saw into a monster. He grabbed the Louisville slugger next to his bed and drove it into the glass again and again, crack and crash and smash, until the mirror was little more than powder.

The silvery dust smeared across the floor made him a distorted, fuzzy shadow. The back of his throat tasted metallic with fear, like he’d licked up some of that shattered mirror. Dreams can’t be destroyed; they can only be contained. The words of his third grade teacher echoed up from his memory. When she’d said that, it had been a hopeful message. No one can hurt your dreams, they can only try to cage them up. You want to be a baseball player, a race car driver, a brain surgeon? No one can stop you. Smash the locks, open the cages, ignore the doubts, let your dreams be free.

But nightmares, Josh felt with the clarity of a bone needle dragging down his spine, like the teeth of the silver fish, were dreams as well. Nightmares were just a different direction for reality to twist, down into the dark.

At his window something growled, the low rumble of distant thunder, of some ancient beast freed from the shards of a broken prison. Josh’s hands tightened on his slugger as he turned. It was his dream, his nightmare, and he should be able to beat it, right? Dreams – nightmares – couldn’t be bigger, stronger, than the people who dreamed them, right?

Only he’s learned in school about I have a dream, and about I am become Death.

Hot, dank breath rolled through the room as Josh howled into the face of a reflection shattered past all recognition.

crunch

Categories
writing year in review

2016 Writing Year in Review

Writing This Year

Novels: 0 completed, though I did several full edits on both Hunger Makes the Wolf and The Novel Formerly Known as King’s Hand. Oh, and I sold Hunger Makes the Wolf to Angry Robot (holy shit!!!!) which is why it’s got that as a title now rather than Fire in the Belly. Wrote 12K words on a novel project for someone else that has unfortunately been put on hold now. Also wrote a 10.8K-word outline for the sequel to Hunger Makes the Wolf because no I don’t have a problem you have a problem. I’m about 20K words into that novel now.

Novellas: 1

Novellettes:  1

Short Stories: 3

Flash: 1

Feature Length Scripts: 2

Paid Reviews/Nonfiction: 5 (plus 10 Book Riot posts)

Treatments: 4

Editing: I edited a short story anthology, No Shit There I Was and we’re in the final stages of getting it ready to go. I also briefly did some very low-paying freelance editing (of romance stories, of all things) while I was unemployed, during which I learned quite a bit.

Consigned to the trunk of awfulness, never to return: None this year, surprisingly. Maybe I’ve winnowed it down enough.

Best/Favorite story of the year: I think I’m obligated to say it’s Hunger Makes the Wolf, which will be my first published novel as of next year. And I’m very pleased with it! Sons of Anarchy meets Dune and all, thank you Mike Underwood for coming up with that awesome description. Second place goes to the short story I wrote recently that involves a Latina retiree in a punk band. I hope I’ll get to share that one with you at some point.

Magic Spreadsheet wordcount: I have been tracking on the spreadsheet since June 24, 2013.

  • Total words written: 465,741
  • Average words per day: 1,276 (better than last year’s 1,110/day)
  • Days in a row written: 1, 286 (3 years without stopping, still going strong)

Publishing

Queries sent: 36
Rejections received: 27
Pending: 4
Most rejections received: This year, it’s Excerpts from the Personal Journal of Dr. V. Frankenstein, MD, Department of Pathology, Our Lady of Mercy Hospital, with seven rejections, but I love that story and am going to keep trying.
Total earned: $7,791.47 which is the most I’ve earned from writing in any year, by a lot. I even turned a profit, technically, which is very exciting. I did my best to hustle freelance work while I was unemployed in the hopes that I could make a go at supporting myself, but basically many people seem to think that writers/editors don’t deserve to make even minimum wage for the amount of time they spend on things. (For example, paying $20 for a novellette that it took me five hours to edit well because it was such a hot mess.)

Published this year:

  1. Spirit Tasting List for Ridley House, April 2016 from Shimmer
  2. The Long Game from Kaleidotrope
  3. .subroutine:all///end in Shimmer #31
  4. Silver Fish from Lakeside Circus
  5. Fire in the Belly from Mothership Zeta 
  6. Game Review: Have You Met My New Birdie? He’s a Lawyer
  7. There Is No “I” in Lazer Team
  8. I Wish I’d Read Xenogenesis Twenty Years Ago
  9. A New Hope
  10. Lavie Tidhar’s novel Central Station is a mosaic of posthuman problems (Ars Technica)
  11. I Want the Longest Audiobook You have (Book Riot)
  12. Seven First Contact Novels (Book Riot)
  13. Buy, Borrow, Bypass: “Great Literature” I Hated in High School (Book Riot)
  14. Talking to Writers at Parties (Book Riot)
  15. What’s Being Done to Fix the Hugos (Book Riot)
  16. No Judgment Zone: Tie-in Edition (Book Riot)
  17. Unicorns and Swords: Nostalgia Reading (Book Riot)
  18. Books to Read at the Poké Stop (Book Riot)
  19. An Open Letter to a Novel I Was Certain I’d Love (and Didn’t) (Book Riot)
  20. Why Field Geologist Should Always Carry a Paperback (Book Riot)

Slated for 2017:

  1. Hunger Makes the Wolf from Angry Robot Books (available for pre-order!)
  2. Comfort Food in Haunted Futures
  3. Past the Black Where Call the Horns in Kzine
  4. Vaca Muerta and the Hounds of Heck in GigaNotoSaurus
  5. [REDACTED]

Goals for 2017

  1. Shut up and write.
  2. Get Angry Robot the next book, well-written and on time.
  3. Get Wrath written.
  4. Write at least one more feature-length screenplay, if not two.
  5. Keep submitting to festivals.
  6. Six short stories, including the birthday short. After five years, I think I’m going to keep on with that as a tradition, mostly because it feels nice to write a story with the aim of giving the money to charity. I have no idea what I’m going to do for this year, but we’ll see.
  7. Another anthology? Get it in development at least.
  8. Finally convince Bungie to let me write that Twilight Gap novel in the style of Killer Angels. I’ve got to have an impossible dream on this list every year, right?

Other Stuff

  1. This was the year I finally got an agent, the inimitable DongWon Song. Holy shit.
  2. This was the year I sold a novel. Holy shit.
  3. I submitted one of my screenplays to a film festival and was a finalist. That was… unexpected, and confidence-boosting.
  4. Officially received my Feature Film Screenwriting Certificate from UCLA. For what that’s worth.
  5. Lost my job. Moved back to Colorado. Got a new job in a completely different industry. That was… a major change.
  6. I spent more days than I care to remember ripping cat pee soaked carpet out of my house and even more days in the bowels of home improvement hell as the flooring was replaced. Not the most fun I’ve had in my life.
  7. This is the year I came out. I’m still finding places where I need to change my name and I suspect I will be for a while.
  8. Still a Sunbreaker for life, yo.
Categories
writing writing advice

Have you cold bullshit cake and eat it too.

Recently, my buddy Paul mentioned the science fiction short story I love to hate, The Cold Equations.


To be honest, if you want a description of why I find the story morally reprehensible, just go read what Cory Doctorow wrote about it over two years ago and imagine me pointing to every word and screaming, “YES, THIS.” But one thing I do want to talk about is that I think it’s also, frankly, shitty writing craft.

Let me take a moment to raise the drawbridge, I can sense the mob lighting its torches. There we go.

I don’t know if I’ve ever made my disdain of Chosen One/Prophecy/Do X Or The World Blows Up stories clear on this blog, but there it is. I really don’t like stories that are predicated upon removing one of the major choices of its protagonist. Particularly the last – no one short of a sociopath would realistically, upon being told that the world will literally end if they don’t carry the Magic Arglebargle to the Forbidden Closet of Trumblebutt, would say nah, I think I’m good. The understandable period of denial on that one is really just playing coy with the inevitable.

Stories like The Cold Equations are that kind of agency removal on steroids, except at the end you feel like no matter how many showers you take, you will never be clean again. The entire point of the story is the removing all character agency so they are left with one shitty, reprehensible choice. They make the choice, story ends, everyone feels so bad for the poor character and the way they were railroaded by fate in the form of very particular authorial (or in the case of TCE, editorial) choices. Stories that spend a significant amount of words building baroque and frankly unbelievable systems just to force a perfectly good character into a corner aren’t so much stories as torture devices.

They’re also damn boring in my opinion, but that’s because I’m a big fan of character-driven stories. I don’t really want to see someone get moved to and fro by the winds of fate while they feel bad about the situation and do absolutely nothing.

That these stories are often hailed as being somehow realistic is even more problematic. In real life, the number of times someone is backed into a corner where they literally have only one possible choice are vanishingly small. Often times, all of the choices are varying shades of bad, but they are still there. You may feel like you have no choice, but that is not the same as objectively having no choices like occurs in The Cold Equations.

This is not to be confused with a character making a reprehensible choice and then justifying it to themselves with the mantra of “I had no other choice.” That is an intensely realistic reaction. People build their own internal narratives so that they are the hero, or they go mad.

Rather, stories like The Cold Equations are an intrusion of the author into the moral universe of the audience, an attempt to force the character’s internal narrative of “I had no other choice” onto us. They quite literally had no choice, don’t you see? You must remain on their side, dear reader. It’s a cheap way to allow a character to do something utterly terrible and still keep the audience on board. To sympathize with them. Because really, if we were put in the same ridiculous, artificial situation, we’d have to do the same, right?

Recently at a writing workshop, a friend of mine was taking critique on a chapter of his novel. (This story is being told with his permission, by the way.) He had a situation where his main character needed to pretend to have done something terrible to an innocent woman. All right. But then he asked if we, as readers, would still like the character if he roughed the woman up a little to give his charade verisimilitude. Okay, but what if he really, really felt bad about it? What if he had no other choice?

That was the point where I interjected with this question: “Why are you trying to make it okay for your character to beat up a woman?”

Later when we talked a bit more about it, he mentioned that he wanted to be unflinching in his writing. Which strikes me as something a lot of people strive toward. I have opinions about “gritty” fiction that don’t need to be expounded upon here. But my question is why, if you want to be unflinching about the badness of the situation your character is in, do you then flinch away from the negative reaction your audience may have to their choice?

When I was a baby writer, I found writing plots that forced the characters into corners so they had to make the choices I wanted, often in the pursuit of being “gritty” and “edgy.” I have since course corrected, and all of those stories have been mercifully exiled into the Trunk of Awfulness, never to see the light of day. But as I look over those early efforts, I can’t help but feel more than a little creeped out. Because in real life, I can tell you who most often uses the “I had no choice,” narrative to justify the unjustifiable.

I didn’t want to, but you made me hit you. Why would I want to build worlds in which there is no choice but the most immoral? Why would I want to convince readers that it’s a something to sympathize with? It’s something that just couldn’t be helped, because that’s the way the world is?

These are not absolutes, of course. Nothing in art is. Nothing in life is. But the next time you find yourself engineering a situation where your character has no choice, ask yourself why. Ask yourself what you are trying to accomplish. And be unflinching in your answer.

Categories
awards eligibility writing

2016 Awards Eligibility

For 2016, I have had five short stories (<7500 words) published:

And all of them are freely available online!

In the realm of potentially other useful things:

Though if you have a favorite blog thing I’ve written this year (and I admit, they’ve gotten pathetically sparse since June) let me know!

Categories
writing writing news

For I have written a novel

I kept meaning to talk about this earlier, but thanks to the ongoing dumpster fire that is everything to do with America right now, I haven’t been able to get the necessary enthusiasm levels going. (And yes, it’s petty in the face of all other things, but thanks a fucking bunch, Trump voters, for ruining both my BFF Mike’s birthday and my book announcement day.)

So. DO OVER. The dumpster fire still burns, but I am carving out a place to be happy and excited about the fact that I have written a novel, and a publisher liked it so much that they bought said novel from me, with actual money, and will subsequently be printing it on thin sheets made from the corpses of trees and sending it out into the world.

And the cover? IS AWESOME.

hunger makes the wolf cover

(And yes, Alex Wells is me. Written under a pen name for reasons I shall explain some other time.)

It’s a book about underdogs fighting corporate greed in the place of a weak and absent government. It’s about a fledgling labor union. There’s also gunfights and space witches, so I’d like to think there’s something for everyone who wants to take down the man. And I wrote the rough draft of it many years ago.

If you regularly read my short stories, you’ve already met the woman on the cover. That’s Hob Ravani, and her origin story made an appearance in Mothership Zeta.

I’m so excited about this, and I can’t wait til you guys get a chance to read it!

Categories
anthology Uncategorized writing

Thank you, dear friends, THANK YOU.

No shit, we did it.

Some time as I was dozing in a cold medicine fog while being shot through the sky in a pressurized metal tube between Chicago and Houston, the Kickstarter finished, and we not only had full funding, but we hit all three stretch goals. So y’all are gonna get 24 stories that I love to pieces, plus a piece of line art to go with each story, plus I get to pay my writers more. This latter is incredibly important to me as someone who is also a writer. Any time writers in general get a bigger paycheck, I’m happy.

At this moment I’m finally home, fighting off the mucus demon that has taken up residence in my sinuses. My cats have gone from vengefully ignoring me to clinging, and half of everything I own is in boxes. This has been a crazy, incredibly stressful month (and over the next week as I get ready to move back to Colorado, it’s only going to get crazier and more stressful), so seeing this project of mine finish strong has been a welcome boost.

I’m stunned and ecstatic that 466 people wanted to support this book. Thank you. Thank you.

Categories
anthology writing

No Sh!t, There I Was: Skinwalker, Fast Talker


IT’S THE FINAL STORY

The Kickstarter is almost over, but you still have a couple days, and here’s the final reason you should support us if I somehow haven’t convinced you yet with the other 23 amazeballs stories. How about this for a slice of fried gold: Skinwalker, Fast Talker by Darcie Little Badger.

There are so many ways in which I love this story, because it’s got so many layers to it. Mel, an Apache woman who is a “journalist” for a National Enquirer-style rag called Bimonthly Weird Online gets shown a video of a guy who just scammed her nephew out of a bunch of money and may or may not be Coyote himself. So she does what any journalist would do: she investigates.

On one level, it’s funny as all hell–Coyote dresses like a PUA and drenches himself in Axe body spray. And I love a good human versus trickster story, cunning versus cunning. On a deeper level, it touches on the struggle to maintain culture and memory in a world where Mel’s nephew is more likely to learn about “skinwalkers” via garbled Hollywood film efforts than from people in the know. It’s about the problems Mel and her nephew face in a society that doesn’t always treat them kindly because of who they are.

This is a fun, clever story with a big heart hidden just under the gross pelt quilt and the Axe body spray. I loved it from the first line, and I think you’re going to love it too.

Train is leaving the station, guys! Support the Kickstarter, get the book cheaper and earlier than those who miss the deadline.

Categories
anthology writing

No Sh!t, There I Was: Dropped In

Ready for one of the last three pieces from the table of contents for my amazeballs anthology?

It’s time for another slush jackalope fave, this one titled Dropped In, by Jo Robson. As story opening lines for the anthology go, this is my favorite second only to the necromantic weaselsNo shit, there I was, hip deep in watermelon and about to get eaten by the dog.

Well come on, if you’re going to start out like that, I have to keep reading.

Dropped In is definitely to the lighter side of the No Shit spectrum. It’s the story of a little green robotic PDA (PaD technically, in the story’s terms) named BeBop. He might seem like an innocent electronic device with no will of his own, but he’s got a snarky personality and an extremely mischievous sense of humor that’s guaranteed to get him in trouble and does. When one of his pranks backfires, he has to figure out how to fix his unwitting mistake or risk being given to his owner’s nose-picking, young nephew.

This story is cute. BeBop is a  perfect snarky narrator who isn’t allowed by his programming to say even half of what he thinks out loud. (And don’t we all know how that feels.) The decision he ultimately faces is true to life in its own way as well. It’s one tiny green robot against a large and hostile world.

Sound fun? You’re still got a week to get in on the Kickstarter and make sure you get your book in whatever format pleases you best!

Categories
anthology writing

No Sh!t, There I Was: First of the North

We’re down to the last four stories in the No Shit table of contents! If you haven’t supported the Kickstarter yet, what are you waiting for? I guarantee, these four are just as awesome in their own way as the previous twenty.

Today’s story is First of the North by Andrew Barton. It’s probably the most brutally realistic story about superheroes that I’ve ever read. When the jackalopes and I were figuring out the table of contents, there was some disagreement on if First of the North is our bleakest story, or The Pursuit of Happiness. To be honest, I’m still not certain which of them wins. They’re both the sort of stories that hurt you in absolutely necessary ways.

First of the North imagines an economically desolate Vancouver and a superhero named Alpha Borealis who has lost her day job to the inevitable march of automation. To anyone who has ever been laid off, made redundant, or been victim of a force reduction–so many names for the same adult horror–this is a story that hits close to home. It certainly sucker punched one of my jackalopes, and me as well. As if that’s not difficult enough, First of the North posits a logical extension to the current poor treatment of the blameless victims of the economy and asks what good a superhero is against odds like that.

Andrew tends to write very stark stories, and it’s something I respect about him. He doesn’t waste words and he keeps everything feeling intensely real. It’s a style that serves this story well and makes it hurt.

It’s a good story, and well worth reading. And well worth supporting!

Categories
anthology writing

No Sh!t, There I Was: Salted Tongues and Salted Lashes

Time for another offering from the No Shit table of contents! Today it’s Salted Tongues and Salted Lashes by Rachael K. Jones.

Not going to lie, I was excited as hell to see a story from Rachael in my slush pile, and she did not disappoint. Salted Tongues and Salted Lashes has one of the more playful interpretations of the opening line out of all the stories. And the concept that provides the speculative motor for the story is fun and quirky: the main character, Leah, speaks Doom on people. Curse words are literally curses, Dooms waiting to be unleashed by Leah’s power. It’s her job, in fact, to speak Dooms on unwitting victims who have pissed off someone enough that they’re willing to pay Leah’s employer for the service.

Like I said. The concept is fun and quirky and a few degrees off the world as we understand it. But this being from Rachael K. Jones, with the concept comes an almighty emotional sucker punch. It’s a story about the grinding toll anger and misery and hopelessness take on a person. But it’s also about the toll that giving and pushing back against the darkness, of being the person who always has their shit together can take as well. It’s a story that hit me incredibly hard when I read it and I knew I needed it in my anthology. I can’t wait to share it with all of you.

We’re so close to our funding goal! So close! Support the Kickstarter and make sure you get this and the other stories. Push us across the finish line!